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BYU

tSYU

SCHOOL o. MUSIC

BRIGHAM YOUNG UNIVERSITY

COLLEGE OF FINE ARTS AND COMMUNICATIONS

School of Music

PERFORMANCE PROGRAMS
September 2004-December 2004

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

American Insitute of Musical Studies

Graz, Austria

Lawrence Vincent, mentor professor

Christiane Hauser Swenson, soprano
Sara Thomas, soprano
Marilyn Reid, soprano
Candice Johnson, soprano
Lonna Joy Smoot, soprano
Simone Hardisty, soprano
Jennie Litster, soprano
Jason Vest, tenor

Assisted by
Barbara Allen, piano

7:30 p.m.
9 September 2004
Madsen Recital Hall
Harris Fine Arts Center

Program

Lieder

Vorschneller Schwor Johannes Brahms

1833-1897
Christiane Hauser Swenson, soprano
Student of Lawrence P. Vincent

Ich schwebe Johann Strauss

1866-1939
Sara Thomas, soprano
Student of J. Arden Hopkin

Opera

Martern aller Arten Wolfgang Amadeus Mozart

from Die Entfuhrung aus dem Serail 1756-1791

Marilyn Re id, soprano
Student or Lawrence P. Vincent

Quanto e bella, from L'elisir d'amore Gaetano Donizetti

1979-1848
Jason Vest, tenor
Student of Lawrence P. Vincent

So anch'io la virtu magica, from Don Pasquale Gaetano Donizetti

Sara Thomas, soprano

Student of J. Arden Hopkin and

Lawrence P. Vincent

Chacun le sait, from Lafille du regiment Gaetano Donizetti

Candice Johnson, soprano
Student of Clayne Robison

Elle a fui, from Les contes d' Hoffman Jacques Offenbach

1819-1880
Lonna Joy Smoot, soprano
Student of Lawrence P. Vincent

Rusalka's aria, from Rusalka Antonin Dvorak

1841-1904
Simone Hardisty, soprano
Student of Ruth Christiensen

Doretta's aria, from La rondine

Marilyn Reid, soprano

Giacomo Pucinni
1858-1924

Se come voi piccina, from Le villi Giacomo Puccini

Lonna Joy Smoot, soprano

Quanto m'n vo, from La boheme Giacomo Puccini

Christiane Hauser Swenson, soprano

Glitter and be gay, from Candide

Leonard Bernstein
1918-1990

Jennie Litster, soprano

Student of Lawrence P. Vincent

Operetta

Die Ganze Welt

Simone Hardisty, soprano

Franz Lehar
1870-1948

Ich bin verliebt, from Schon ist die Welt!

Sara Thomas, soprano

Franz Lehar

Durch die weiten Felder, from Wo die Lerche singt

Jennie Litster, soprano

Franz Lehar

Dein ist mein ganzes Herz, from Das Land des Lachelns

Jason Vest, tenor

Franz Lehar

Meistersinger Competition

O zittre nicht, from Die Zauberflote Wolfgang Amadeus Mozart

Candice Johnson, soprano

Una voce poco va, from // barbieri di Siviglia

Jennie Litster, soprano

Giacomo Rossini

Sempre libera, from La traviata

Marilyn Reid, soprano

Giuseppe Verdi
1813-1901

The Brigham Young University School of Music welcomes you to this event.
We are grateful for your attendance and support. So that everyone can enjoy this
performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Please help us maintain a more formal atmosphere appropriate in performances
sponsored by the School of Music. Shouting to performers, whistling, or
talking during the performance is inappropriate here.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the first performance sponsored by the
BYU School of Music for the 2004-2005 season.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music

presents

Douglas E. Bush

Organ

Faculty Artist Recital

7:30 p.m.

10 September 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the second performances sponsored by the
BYU School of Music for the 2004-2005 season.

performances.byu.edu

Program

Phantasia primi toni

Anonymous
(Danzig Tablature, 1591)

Cantio Rustica Americana

Anonymous
(ca. 17th century)

Klag-Lied,BuxWV75

Dietrich Buxtehude

(1637-1707)

Fantasie in E Minor, op. 2, no. 1

John Knowles Paine
(1839-1906)

Requiem Aeternam, op. 5 1

Louis Vieme
(1879-1937)

Intuitions

David H. Sargent
(b. 1941)

Prelude in D Major, "Hallelujah"

Franz Schmidt
(1874-1939)

The Dance of Lamentation at the River

Murray Boren
(b. 1950)

Come, O Thou King of Kings

Douglas E. Bush
(b. 1947)

Hymn: Abide with Me — Congregation
verse 1 — parts
verse 2 — women, unison
verse 3 — unison
organ verse

Harmonizations by Douglas Bush

Wir glauben all an einen Gott, BWV 680

Johann Sebastian Bach
(1685-1750)

Abide with Me!

Reverently J = 72-84

1. A - bide with me! fast

2. Swift to its close ebbs
3. 1 need thy pres - ence

falls the e - ven - tide;
out life's lit - tie day.
ev - 'ry pass-ing hour.

The dark-ness
Earth's joys grow
What but thy

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deep - ens. Lord, with me a
dim; its glo - ries pass a
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bide! When oth-er help-ers fail and

way. Change and de - cay in all a ■

pow'r? Who, like thy - self, my guide and

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com - forts flee, Help of
round I see; O thou

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me!
me!
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the help - less, oh, a - bide with
who chang-est not, a - bide with
and sun -shine, Lord, a - bide with

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Jncfc Henry F. Lyte, 1793-1847
Music: William H. Monk, 1823-1889

Luke 24:29
John 15:4-12

UNIVERSIDADE DE BRIGHAM YOUNG

Faculdade de artes e comunicafoes
Escola de miisica
Provo, Utah, EUA

Concerto Brasileiro

Apresentado por

J. Arden Hopkin, baritono

Erika Edwards Decaster, mezzo-soprano
Christopher T. Lewis, tenor
Nathan Pacheco, baritono
Brandon Matthews, piano, baixo

7:30 p.m.
1 1 Setembro 2004
Madsen Recital Hall
Harris Fine Arts Center

Miisica Brasileira

Minha Terra

Cancao do Poeta do Seculo XVIII

Melodia Sentimental

Nathan Pacheco, baritono

Lundu da Marquesa dos Santos
Vou-Me Embora

Valsa da Dor

Cancao Ingenua

Christopher T. Lewis, tenor

Brandon Matthews, piano

Erika Edwards Decaster, mezzo-soprano

Quatro Sonetos de Camoes

Creou a natureza damas bellas
Onde porei meus olhos
Tanto de meu estado me acho incerto
Formosos olhos

J. Arden Hopkin, baritono

Bachianas Brasileiras No. 5, Aria

Erika Edwards Decaster, mezzo-soprano

A Mare Encheu

Exaltacao
Boi Bumba

Azulao
Dindi

Garota de Ipanema

Brandon Matthews, piano

Nathan Pacheco, baritono

Christopher T. Lewis, tenor
Erika Edwards Decaster, mezzo-soprano

Valdemar Henrique
Heitor Villa-Lobos

Heitor Villa-Lobos
Camargo Guarnier;

Heitor Villa-Lobos
i

Camargo Guarnier"

Jean Berget

Heitor Villa-Lobo

Heitor Villa-Lobof

Valdemar Henrique

Juan Rios Ovalk
Antonio Carlos Jobin

Antonio Carlos Jobimj

Musica Sacra

Urn Anjo Vi Voar do Ceu Arr. Christopher T. Lewis

Andrea Edwards, soprano

Erika Edwards Decaster, mezzo-soprano

Christopher T. Lewis, tenor

Nathan Pacheco, tenor
J. Arden Hopkin, baritono

Guia Cristo, Minha Nau
Sim, Eu Te Seguirei
Um Pobre e Aflito Viajor
Belo Salvador

Erika Edwards Decaster, mezzo-soprano
Brandon Matthews, piano
J. Arden Hopkin, baritono

Christopher T. Lewis, tenor
Nathan Pacheco, baritono
Brandon Matthews, baixo

Arr. Dan Carter

K. Newell Dayley

Arr. Murray Boren

Arr. Mack Wilberg

Ele Mandou Seu Filho Michael Finlinson Moody

Christopher T. Lewis, tenor

Vem, Fonte de Toda Bencao Arr. Craig Courtney

Erika Edwards Decaster, mezzo-soprano

Christopher Lewis, tenor

Eu Devo Partilhar

Arr. Christopher T. Lewis

Andrea Edwards, soprano

Erika Edwards Decaster, mezzo-soprano

Christopher T. Lewis, tenor

Nathan Pacheco, tenor
J. Arden Hopkin, baritono

J. Arden Hopkin, baritono, chefe dos estudos de canto da Universidade de Brigham Young
(BYU), recebeu suas primeiras experiencias musicais dos pais, que eram musicos amadores. Na
juventude, aprendeu a tocar o piano, o violao, o saxofone e a cantar. Recebeu sua educacao formal
em musica da Universidade de Brigham Young, da Universidade de Texas do Norte, e da celebre
Eastman School of Music.

De 1966 a 1968 serviu como missionario de A Igreja de Jesus Cristo dos Santos dos Ultimos Dias
em Peru, Equador, Colombia e Venezuela, onde aprendeu a amar a culrura latino-americana. Seu
interesse cresceu e desenvolveu-se numa especializacao na musica vocal da Espanha e da America
Latina. O Doutor Hopkin freqtientemente ensina, palestra e apresenta-se em cursos de
aperfeicoamento tanto nos Estados Unidos como no exterior. Ele e atualmente o chefe dos estudos
de canto na BYU e ensina canto e pedagogia vocal na Escola de Musica da universidade, onde
passa seu tempo guiando o desenvolvimento da nova geracao de professores de canto.

rika Edwards Decaster, mezzo-soprano, estudou como crianca na prestigiosa Escola do Coral
ternacional das Criancas sob a direcao da Doutora Kathy Sorensen. Como adolescente, Erika
cebeu muitos premios e trofeus — locais, regionais e estaduais — e foi selecionada como finalista
i Competicao da Sinfonia de Utah para Artistas Jovens. Erika foi escolhida para apresentar urn
ipel escolar na divisao de musica na Conferencia Vernacular Internacional em Puebla, Mexico,
ecebeu uma bolsa de estudos para estudar miisica na Universidade de Brigham Young onde
tuda com a Doutora Ruth Christensen. Erika se formara em Agosto de 2004 em Estudos Latino-
mericanos e Musica e recebeu bolsa de estudos de pos-graduacao em Musica da Universidade de
tah, EUA.

rika morou em Campinas em 1999, onde aprendeu a lingua portuguesa e apaixonou-se pelo povo
asileiro e sua cultura. Em 2001, Erika foi chamada para servir missao para A Igreja de Jesus
risto dos Santos dos Ultimos Dias no norte de Portugal. Recentemente, serviu como Presidente
i Associacao de Estudos Latino-Americanos na BYU. "Aos meus caros amigos brasileiros —
[inha terra tern palmeiras

hristopher T. Lewis, tenor, do estado de Utah, EUA, e cantor, escritor e compositor. Estuda
iiisica e portugues na Universidade de Brigham Young e fara mestrado em Literatura Portuguesa
n setembro. Como escritor, ja publicou tanto trabalhos academicos como poesia em portugues, e
ualmente ensina a gramatica intermediaria da lingua portuguesa na universidade.

.s suas composicoes ja foram apresentadas por muitos grupos musicais, inclusive o celebre coro
ingers da BYU, regido pelo Doutor Ronald Staheli. Morou dois anos no Rio Grande do Sul,
rincipalmente em Santa Maria, como missionario de A Igreja de Jesus Cristo dos Santos dos
fltimos Dias ... e la descobriu que possui um coracao gaucho!

randon Matthews, e pianista, violista e regente de Spokane, Washington, nos Estados Unidos.
le recentemente completou seus estudos de piano na Universidade de Brigham Young sob a
irecao dos professores Paul Pollei, Mona Smith e Scott Holden. Matthews ja ganhou muitos
remios em varias competicoes de piano e tambem e acompanhista ativo. Como violista, ele ja
;alizou recitais nos Estados Unidos e na Inglaterra e foi reconhecido como finalista na
lompeticao Solo do Estado de Washington. Matthews tambem participa como violista em varias
rquestras e comecara estudos de regencia em setembro de 2004. Ele serviu na missao Brasil
ortalezade 1999-2001.

«'athan Pacheco, baritono, esta completando o seu bacharelado em musica na Universidade de
brigham Young. Ele acaba de retornar da Italia, onde ele teve a oportunidade de estudar e cantar
om varios destacados cantores de opera. Depois de sua estadia no Brasil, ele retornara a
Jniversidade de Brigham Young para interpreter o papel de Marcelo na opera La boheme.

Nathan ama as pessoas. Enquanto era missionario de A Igreja de Jesus Cristo dos Santos dos
Jltimos Dias no Brasil, ele aprendeu que a musica tern uma grande habilidade de unir as pessoas
:m lacos de amizade. Ele canta porque ama a vida e acredita que sua voz e um dom que o permite
i compartilhar a vida com os outros.

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Personal Effects

14 new popular songs
written and performed by

Michael Hicks

17 September 2004
7:30 p.m.

Madsen Recital Hall
Harris Fine Arts Center

The Laws of Attraction

Born Again

Compared

Valentine St.

Moon

Every Good Boy

Common Knowledge

Some Love

Pastorale

Gemini

Both Hands

He's Not Cezanne

Too Big

The One Requirement of Art

The Laws of Attraction

Abraham walked till he ran into Moses
Moses said, I got ten things to say
Abraham said, Can you get it down to the

one or two main points?
And Moses said, How about, Love Is

the Way?

Chorus:

Cause there's a million little lives like

ours
Just looking for the story they're in
And there's a million little worlds like this
Just waiting for life to begin
They just need a little oxygen
They just need a little hydrogen
They just need to learn now to obey
The laws of attraction

Moses wandered till he ran into

King David
David said. I got a hundred songs to play
Moses saia, Can you just play me your

top five?
And David said, Number one is Love Is

The Way

Chorus

David rode all the way home to meet his

son Jesus
Jesus said, I'll give you one test
David said, I know all about loving my

neighbor
And Jesus said, Then you know the rest

Chorus

Born Again

The preacher said I died at baptism

I became a new organism

A new creature ana God was my teacher

for now
The war was over, the cannons were

empty
And I was blowing on that horn of plenty
I had everything I thought my freedom

allowed

Chorus:

But I was born again to the nature of the

world
It's always something about a boy and a

girl
Everyday people, amazing grace
And all the miracles you've got to face
As you try again not to die again
I woke up after a minor disaster

The doctor said, Live slower and run

faster
Watch your hunger, get a little

younger each day
It's a second chance at the roulette wheel
Bet everything on the numbers you feel
Learn that life is just the gambler's debt

that you pay

Chorus

So I built a fortress for my heart's

protection
It's hard to live through resurrection
But I get stronger the longer I keep the

devil at bay
Sometimes he's heaven, sometimes hell
Sometimes he's everything I know very

well
Pleasure and pain, love and disdain-so

people say

Chorus

Compared

Compared to being with her
There's nothing that's not alone
Compared to looking at her
The Mona Lisa's a stone
Compared to her
The sun never shone

But why try to compare

When words are a prayer

No one can answer?

How could you understand?

Nobody can

No thought could enhance her

Compared to walking with her
The world is just sinking ocean
Compared to listening to her
Religion has no devotion
Compared to her
The heart has no emotion

But I'm tired of trying to compare

When I should just dare

To say what I understand

And then to say more

Break down the door

To her mysterious land

But compared to being myself
I wrap my soul in a song
And leave to somebody else
The pain of being that strong

Valentine St.

But now everything is moon

Weekdays we play with our techno toys
Buckets of paper and rivers of noise
You're thinking Hemingway and I'm

thinking Joyce
We're proving love by the power of

cnoice

Mornings we divide and get wider
Afternoons sometimes crash like a glider
But evening comes and everything gets so

much quieter
where we meet

down on Valentine St.

Saturday we wrap the week up in bales
While the neighbors put on the

Canterbury Tales
House like a deep freeze and here comes

the mail
Brochures on disease and saving the

whales

Morning you exercise like a prize fighter
Afternoon I'm Nicholson in Easy Rider
But evening comes and everything turns

to cider
It's so sweet down on Valentine St.

Sunday's a bookmark in a Bible
God gets personal and we get tribal
We head tor church where the

content's reliable:
Five stages of grief and one of revival

Morning you dress like a backslider
Afternoon my double breast is getting

tighter
But evening comes and our burden gets

so much lighter
In the heat down on Valentine St.

Moon

I've been saving shadows in my face

A gift from the trees

I've been saving rainclouds in my eyes

A gift from the seas

Such are the things I do

To keep myself from telling you

That now everything is moon

I've been saving murmurs in my ears

A gift from the birds

I've been saving silence in my head

A gift from the words

I used to say to you

The one thins that was true

I've been letting go of things I felt
Most of the views I held
I'm letting memories melt

I've been saving whispers in my lips

A gift from the wind

I've been saving thunder in my chest

A gift from the din

Of all that we've been through

And what we still pursue

Since everything is moon

I've been saving ashes on my tongue

A gift from the fire

I've been keeping secrets from the dark

A gift to my desire

For everything we were

Since all I know for sure

Is that everything is moon

Every Good Boy

How are we doing? I ask myself some-
times

Now that our common biography is done

I hear you're doing great since you
moved to the city

And what about me, I heard you asked
someone

Well remember what our teacher taught
us

When we were quite young

Our teacher taugnt us that

Every Good Boy Does Fine
And that's how I've been doin'
So don't you come and ruin it
'Cause baby every time
I see you I can't reel
How really good I am

'Cause love is not blind

We're not a novel, we're just a short story

We're not a poem, just a line in a play

We're not a calendar, just a clock ticking

Over and over for just one day

So why should I still care about

The attention that you pay?

Our teacher taught us that

Every Good Boy Does Fine
And that's how I've been doin'
So don't you come and ruin it
'Cause baby you still shine
And when you're in my eyes
How good I am
I can't recognize

We're not a movie, just some

coming attractions
We're not a Broadway show, just the

lights
Flowing like angels across the avenue
So empty and bright
So why do I still wonder
What you're doing every night?
I've got to realize

Every Good Boy Does Fine

But what's a boy to do

When he's still in love with you?

So leave me far behind

And maybe I'll discern

The good I have to learn

Since you're not mine

Common Knowledge

If I knew what she knew
I'd know how to break a heart
And never take the blame
If she knew what I knew
She'd know how to play at love
As if it were a game
Without any rules
A chessboard made for fools

That's how we survive

That's why we're still alive

But if I were really living

And she were living too

We'd want to live together always

And that's what we'd do

But forever is a place we used to live

A home that we outgrew

Some Love

It took eons of natural selection
Just to learn how to deal with rejection
All those species flying up to heaven
God had to stop counting at seven
Leaving just a man and a woman face to

face
Looking for the finish line of the human

race
They both said

Chorus:

Some people gotta know everything

Some people gotta take more than they

bring
But we know just what we're thinking of
'Cause we're some people
And this is some love

But if she really knew me
And I really knew her
You never know what kind of heaven
Just might occur

And heaven is where people know every-
thing
At least that's what I've heard

If I knew what she knew
I'd know how to close a door
That we were walking through
If she knew what I knew
She'd know how to constantly
Divide herself in two
That's my kind of math
Split eveiything in half

But if I really loved her

And she really loved me

You'd love to see the miracles

That might come to be

And miracles are where we know

nothing
On that we all agree

If we knew what we know

We'd still spend each day just trying

To find another place

To keep us away from

The feeling that every day

From now we owe to grace

It took all the priests from China to

Sweden
To lock the gate to the Garden of Eden
And pull the teeth out of every smile
To build an altar to human denial
But I've heard it said by my favorite sage:
We don't have to be medieval
Just 'cause we're middle-aged

Chorus

Strike a match to every passion

And burn within the lines

But don't forget that the feelings you

ration
Might be all you can find
When chemistry meets geometry

It took Einstein decades of panic
Just to end up as a quantum mechanic
He wrote the books and he proofed every

chapter
But still couldn't find what he was after
Just what Eve and Adam always knew:
The myths that you believe just might be

true

Chorus

Pastorale

How many blackbirds have landed on a

fence?
How many stalks lie broken in the hay?
How many breezes have rippled through

our tents?
How many times did I think of you

today?

How many branches have cracked in the

wind?
How many gnats have swarmed to a

light?
How many raindrops have fallen on our

skin?
How many times did I think of you

tonight?

I don't know what it means to stop

knowing
I don't know when the wind will stop

blowing
The snow through the canyons
Like every song a train abandons
To the mountains then just keeps on going

How many ashes have blown from the

fires?
How many sparks have risen to the stars?
How many voices have traveled through

the wires?
How many times have I longed for you

so far?

I don't know what it means to stop know-
ing

I don't know when the soil will stop
growing

The trees in the forest

For every drop drowned in the chorus

Of the rivers that just keep on flowing

How many rainbows have arched from

the rain?
How many silences are born in a song?
How many fields will grow from one

grain?
How will I know if I've waited too long?

Gemini

Two men are speaking these words today
One takes the pulse of each line
The other one nides his eyes
Tells his proverbial lies
Then drinks a river of wine

Two men are singing this tune today
One strains for something he's missed
The other tries to replace
The split of treble and bass
Tries to learn how to resist
Gemini, Gemini

Two men are caught in this theater
One still applauds with the crowd
The other's walking away
Makes up his own matinee
Where every dream is allowed

Two men are shooting this movie script
One sets his tripod in place
The other's pointing his lens
Everywhere and pretends
The images will erase
Gemini, Gemini

One man separated at birth
It's a beautiful curse
Two stories unrehearsed
One bubble that's got to burst

Two men are leaving a woman today
One thinks it's all for the best
But both men try to lie
Look her straight in the eye
Deny what she has just guessed.

A man is living alone today
One man that equals two boys
One does the everyday tasks
While the other one asks
What to do with all the noise

Making some money and making the bed
Making off, making do
And at the end of the show
Who is this person we know?
Maybe me, maybe you
Gemini, Gemini

Both Hands

Pie Jesu Domine

That's what I heard her sing in high

school one dav
I never knew that chords could work that

way
And that gave me peace

Chorus:

Dona eis requiem

Don't I know what that means

Dona nobis pacem

It's not as easy as it seems

With my right hand I wave and she's

gone
With my left hand I'm holding on
With both my hands I'm playing this song
Her name is written in the curves of my

guitar

I never knew what an intermezzo was
But when she played I knew it meant just

because
I saw that she could do what nobody does
And that gave me peace

Chorus

Pie Jesu Domine

That's what I think about when I get this

way
I sing until I have no words left to say
And that gives me peace

Chorus

He's Not Cezanne

I used to think we were almost

clairvoyant
But now we 're ye ne sais quois
Our pas de deux was once so buoyant
But now it's just faux pas
Now I hear you're rehearsing in the gym
With my soul's antonym
Well let me tell you about him

He's not Cezanne

He doesn't paint the fruit, just eats till it's

gone
His brush is blind
To all the colors on the palette of your

mind
The ones I still find

When you first met him your heart did a

pliet

Jette when he saidy'e t'aime
But now you're just another rose in his

bouquet
Just a synthetic gem
He's writing you epistles and poetry
To make you smile
But peruse them awhile

He's not Moliere

He doesn't know the difference between

P amour and la guerre
He's tres comique
But he's only tryin' to get to the last line

of your physique
That's my critique

If they asked us we could write a book
Volume 2: How to turn lovers to friends
But maybe we should take a second look
Through an impressionist lens

He's not Debussy

Every chord he plays is in the same key

Nuages, madame

He will attempt till he reaches the coda:

cherchez lafemme
But I'll keep you calm

Ipray that you pirouette back to moi

Come back to our del a vu

Tell him you've finally reached au revoir

Touche me and you

Manet and Monet, even George Seurat

Could see it clear

The man's heart's too sheer

He's not Cezanne

Not Moliere, Debussy or anyone

You should recall

So dance away tonight darling from his

masked ball
Back to our carnaval

Too Big

This guitar's too big for my hands
I try to play what I can't
It's hard to find all the chords
My heart is aiming towards
I can't meet its demands

This mike is too big for my mouth
It's not like I'm from the south
Seems everything's in my way
And at the end or the day
There just ain't no doubt

Chorus:

My bed's too big for my sleep

Sometimes I can't even start

I'm climbin' up too steep

I'm fallin' in too deep

This love's too big for my heart

This road's too long for my feet
When I'm walkin' on the street
They just don't know where to go
They make their mind up too slow
I just have to take a seat

This world's too wide for my eyes
I'm startin' to realize
That everything's got to change
I'm feelin' oh so strange

As all my loneliness dies
Chorus

Some dreams are too tall for my head
They don't fit with the life that I've led
I always hoped for the best
And then I always got less
With every woman I met

Some prayers are too hard for my knees
I can't say thank you or please
'Cause I still don t understand
Why heaven changed all my plans
Just for some birds and some bees

Chorus

The One Requirement of Art

She never goes to the ballet to watch how

they move
She's never walked through the

galleries of the Louvre
She doesn't stand in line for the New

York Phil

She never hangs around for the

cinema crowd
Or tries to stand her ground when they're

thinking out loud
She's never read Camus and she never

will

But she pleases me
The critics will agree

'Cause the one requirement of art

Is the thing that sets her apart

It's the heart that beats in a song

It's the truth that makes you feel like you

belong
To a line in a poem
The one that leads you back home
She's never been to a sculpture

garden in France
Never gone where she never really had

the chance
No further than the secrets that she keeps

She's never flown through the

travelogue in my head
She seldom goes to a page of the chapters

I've read
She likes the feel of the only bed where

she sleeps

But I appreciate
That one simple trait

The one requirement of art

That one thing that makes anyone smart

Is the feeling you can't dismiss

When you pine for the lines of a sculpture

you want to kiss
Function follows form
And that's what keeps you wann

Tess of the D 'Urbervilles
Vincent's daffodils
The book's leaves fall from their spine
The canvas wilts wherever she shines

I've hardly touched one string of the harp

inside
Never found all the treasure that she tries

to hide
Never dared to explore her till she'd be

my guide

But if she wants this
Attempted bliss

Then the one requirement of love

That one thing we've had too much of

Is the pain of being apart

And that's one requirement of art

That much I've been shown

By the art of being alone

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Erin Swenson

Violin

Assisted by

Jonathan Bowman, piano

Megan Zabriskie, violin

Student of
Monte Belknap

Required for

Bachelor of Music Degree

with Emphasis in Performance

5:30 p.m.

24 September 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the sixth performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Partita No. 1 in B Minor, S. 1002 Johann Sebastian Bach

Tempo di Bourree (1685-1750)

Sonata (Duo) in A Major, op. 1 62 Franz Schubert

Allegro moderato (1797-1 828)

Scherzo
Andantino
Allegro vivace

Concerto No. 2 in D Minor, op. 22 Henryk Wieniawski

Allegro moderato ( 1 835-1 880)
Romance: Andante non troppo
Allegro con fuoco — Allegro moderato

Navarra for Two Violins and Piano, op. 33 Pablo de Sarasate

(1844-1908)
Megan Zabriskie, violin

Upcoming School of Music Events

Insturmental Showcase*

Philharmonic Orchestra, Wind Symphony,
Symphony Orchestra, Symphonic Band
Tuesday, September 28, 7:30 p.m.
de Jong Concert Hall

Eric Hansen, bass
Jayne Galloway, piano

Faculty Artist Recital
Thursday, October 7, 7:30 p.m.
Madsen Recital Hall

Choral Showcase*

BYU Singers, Concert Choir,
Men's Chorus, Women's Chorus
Wednesday and Thurdsay,
September 29 and 30, 7:30 p.m.
de Jong Concert Hall

HduO

Jaren Hinckley, clarinet
Vince Humphries, piano
Faculty Artists Recital
Thursday, September 30, 7:30 p.m.
Madsen Recital Hall

Group for New Music
Saturday, October 9, 7:30 p.m.
Madsen Recital Hall

Symphony Orchestra

Eric Hansen, conductor
Tuesday, November 30, 7:30 p.m.
Tuesday, March 31, 7:30 p.m.
de Jong Concert Hall

Jazz Legacy Dixieland Band*

Fri. and Sat. October 15 and 16, 7:30 p.m.
Madsen Recital Hall

Julie Bevan Reed, cello
Douglas Reed, piano

Faculty Artists Recital
Firday, October 1, 7:30 p.m.
Madsen Recital Hall

Philharmonic Orchestra*

Kory Katseanes, conductor
Thursday, November 18, 7:30 p.m.
Friday, February 22, 7:30 p.m.
Saturday, April 9, 7:30 p.m.
de Jong Concert Hall

* Ticketed event
Fine Arts Ticket Office, 378-4322 or

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Monte Belknap,v/o/m
Barbara Allen, piano
Laurence Lowe, horn

Faculty Artists Recital

7:30 p.m.

24 September 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the fifth performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Suite Italienne, from Pulcinella
Introduzione — Allegro moderato
Serenata — Larghetto
Tarantella — Vivace
Gavotta con due Variazioni
Scherzino — Presto alia breve
Minuetto e Finale — Moderato — Molto vivace

Igor Stravinsky
(1882-1971)

Vocalise, op. 34, no. 14

Serge Rachmaninoff
(1873-1943)

Zapateado, op. 23

Pablo de Sarasate
(1844-1908)

Trio for Piano,Violin and Horn in B-flat Major, op. 40
Andante

Scherzo — Andante
Adagio mesto
Finale — Allegro con brio

Johannes Brahms
(1833-1897)

Upcoming School of Music Events

Insturmental Showcase*

Philharmonic Orchestra, Wind Symphony,
Symphony Orchestra, Symphonic Band
Tuesday, September 28, 7:30 p.m.
de Jong Concert Hall

Choral Showcase*

BYU Singers, Concert Choir,
Men's Chorus, Women's Chorus
Wednesday and Thurdsay,
September 29 and 30, 7:30 p.m.
de Jong Concert Hall

Jaren Hinckley, clarinet
Vince Humphries, piano
Faculty Artists Recital
Thursday, September 30, 7:30 p.m.
Madsen Recital Hall

Julie Bevan Reed, cello
Douglas Reed, piano
Faculty Artists Recital
Firday, October 1, 7:30 p.m.
Madsen Recital Hall

Eric Hansen, bass
Jayne Galloway, piano

Faculty Artist Recital
Thursday, October 7, 7:30 p.m.
Madsen Recital Hall

Group for New Music
Saturday, October 9, 7:30 p.m.
Madsen Recital Hall

Symphony Orchestra

Eric Hansen, conductor
Tuesday, November 30, 7:30 p.m.
Tuesday, March 31, 7:30 p.m.
de Jong Concert Hall

Jazz Legacy Dixieland Band*

Fri. and Sat. October 15 and 16, 7:30 p.m
Madsen Recital Hall

Philharmonic Orchestra*

Kory Katseanes, conductor
Thursday, November 18, 7:30 p.m.
Friday, February 22, 7:30 p.m.
Saturday, April 9, 7:30 p.m.
de Jong Concert Hall

* Ticketed event
Fine Arts Ticket Office, 378-4322 or
performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Instrumental Showcase

Symphonic Band

Donald Peterson, conductor

Symphony Orchestra

Eric Hansen, conductor

Wind Symphony

David Blackinton, conductor

Philharmonic Orchestra

Kory Katseanes, conductor

7:30 p.m.

28 September 2004
de Jong Concert Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this event!
We are grateful for your attendance and support. So that everyone can enjoy this
performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone, pager, or any audio alerts..
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offeree
at appropriate intervals. Entire works or groupings of pieces will usually \
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Please help us maintain a more formal atmosphere appropriate in performances
sponsored by the School of Music. Shouting to performers, whistling, 01
talking during the performance is inappropriate here.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the seventh performance sponsored by the
BYU School of Music for the 2004-2005 season.

performances.byu.edu

Program

L' Inglesina

Selections from The Danserye
II. Bergerette
DC. Pavanne: La Battaile

D. Delle Cese

Tielman Susato
(1510-1551)

Shepherd's Hey

Symphonic Band

Donald Peterson, conductor

Percy Grainger
(1882-1961)

The Wild, Wild West

Corral Nocturne, from Rodeo

'Tops" Hoe-down

Symphony Orchestra

Eric Hansen, conductor

R Markowitz
Arr. R. Phillippe

Aaron Copland
(1900-1990)

Richard Hayman
(b. 1920)

Intermission

Pineapple Poll

Opening Number
Poll's Dance

Arthur Sullivan

(1842-1900)

Arr. Charles Mackerras

Amazing Grace
Marche Militaire Francais

Wind Symphony

David Blackinton, conductor

Frank Ticheli

Camille Saint-Saens

(1835-1921)

Arr. Mark H. Hindsley

Till Eulenspiegels lustige Streiche

Philharmonic Orchestra

Kory Katseanes, conductor

Richard Strauss
(1864-1949)

BYU Orchestras

BYU Bands

Symphony Orchestra

Eric Hansen, conductor
Tuesday, November 30, 7:30 p.m.

Tuesday, March 31, 7:30 p.m.

de Jong Concert Hall

Philharmonic Orchestra*

Kory Katseanes, conductor
Thursday, November 18, 7:30 p.m.
Friday, February 22, 7:30 p.m.
Saturday, April 9, 7:30 p.m.
de Jong Concert Hall

Celebration Of Christmas*

Combined Choirs and
Philharmonic Orchestra
Fri. & Sat, Dec. 3-4, 7:30 p.m.
Saturday, December 4, 3:00 p.m.
de Jong Concert Hall

University Orchestra

and University Strings

Graduate Student conductors

Tuesday, December 7, 7:30 p.m.
Tuesday, March 29, 7:30 p.m.
de Jong Concert Hall

Evening of Concertos*

Kory Katseanes, conductor
Tuesday, March 8, 7:30 p.m.
de Jong Concert Hall

Wind Symphony
and Symphonic Band*

David Blackinton, conductor
Don Peterson, conductor
Wednesday, November 3, 7:30 p.m.
Wednesday, December 1, 7:30 p.m.
Wednesday, March 2, 7:30 p.m.
Wednesday, March 30, 7:30 p.m.

Marching Band

Don Peterson, conductor
Tuesday, November 16, 7:30 p.m.,
de Jong Concert Hall

University Band

Fred Mcinnis, conductor
Thursday, April 7, 7:30 p.m.
de Jong Concert Hall

Spring Band

Thursday, June 9, 7:30 p.m.,
de Jong Concert Hall

Tickets on sale at Harris Fine Arts
Cener Ticket Office, 378-432 or
performances.byu.edu

Evening of Arias

Eric Hansen, conductor
Wednesday, March 9, 7:30 p.m.
de Jong Concert Hall

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music

presents

Choral Showcase

Men's Chorus

Rosalind Hall, conductor

BYU Singers

Ronald Staheli, conductor

Concert Choir

Rosalind Hall, conductor

Women's Chorus

Jean Applonie, conductor

7:30 p.m.

29-30 September 2004
de Jong Concert Hall
Harris Fine Arts Center

Program

Praise Him! Michael Cox

(b. 1948)

Birds of Fire Paul Halley

(b. 1952)

Awake My Sons Lane Johnson

(b. 1958)

Men's Chorus

Rosalind Hall, conductor

What Stood Will Stand Paul Halley

Ach, arme Welt, du trugest mien Johannes Brahms

(1833-1897)
Oh, poor world, you deceive me, though I cannot avoid you. Your glory
and wealth are, in death, lacking. In this, Lord, help me to find peace.

Ich wollt, dass ich daheime war Hugo Distler

(1908-1942)
I wish I were home and could dispense with the world. At home is life without
death and joy without need. There is here no real accommodation. Farewell,
world. Towards Heaven's Kingdom I now travel.

BYU Singers

Ronald Staheli, conductor

Sanctus, from Mass for Double Chorus Frank Martin

(1890-1974)
Holy, holy, holy, Lord, God of Hosts. Heaven and earth are full of thy glory.
Blessed is He who cometh in the name of the Lord. Hosanna in the highest.

Ave maris Stella Edvard Grieg

(1843-1907)
Hail, Star of the Sea, loving Mother of God who broke the chains of sin, and
brought light to the blind May our lives be pure and our journey safe, so that,
seeing Jesus, we may rejoice forever.

Dravidian dithyramb (Indian Raga)

Victor Paranjoti
(1906-1967)

Concert Choir

Rosalind Hall, conductor

i thank You God

Gwyneth Walker
(b. 1947)

O salutaris Hostia

O Redeeming Sacrifice, which opens the gate of heaven:
enemies threaten wars; give us strength, send Thy aid

Frank Ferko
(b. 1950)

Fences

Andre Thomas
(b. 1952)

Pilgrim Song

Women's Chorus

Jean Applonie, conductor

Group Sing

American Folk Song
Arr. Ryan Murphy

Ring Out, Ye Crystal Spheres

Combined Choirs

K. Lee Scott

(b. 1950)

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

Men's Chorus and Women's Chorus Celebration of Christmas

Rosalind Hall, conductor
Jean Applonie, conductor
Friday-Saturday, Nov. 5-6, 7:30 p.m.
de Jong Concert Hall

Combined choirs and
Philharmonic Orchestra.
Friday-Saturday, Dec. 3-4- , 7:30 p.m.
Saturday matinee Dec. 4, 3 p.m.
de Jong Concert Hall

BYU Singers and Concert Choir

Ronald Staheli, conductor
Rosalind Hall, conductor
Friday-Saturday, Nov. 12-13, 7:30 p.m.
de Jong Concert Hall

Winter Choirfest — Just Added
Friday-Saturday, Jan. 28-29, 7:30 p.m.
Provo Tabernacle

On sale now at HFAC Ticket Office,
378-4322 or performances.byu.edu

This musical event is the eighth performance sponsored by the
BYU School of Music for the 2004-2005 season.

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

HDU0

Jaren Hinckley, clarinet
Vince Humphries, piano

Faculty Artists Recital

7:30 p.m.

30 September 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the ninth performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Two Pieces for Clarinet and Piano
Vals Venezolano
Contradanza

Paquito D' Rivera

(b. 1948)

Arr. by Marco Rizo

Bucolique

Eugene Bozza
(1905-1991)

The Gardens of Japan

Gene DiNovi

(b. 1928)

Sonatina

Bohuslav Martinu
(1890-1959)

Concerto

Introduzione
Allegro
Siciliana
Allegro giusto

Domenico Cimarosa

(1739-1801)

Arr. by Arthur Benjamin

Sonata

Grazioso

Andantino — Vivace e leggiero

Leonard Bernstein

(1918-1990)

Clarinet Sonata (1989)
Blues
Loneliness
Dance

David Baker

(b. 1931)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
BYU fcl School of Music

presents

Julie Bevan Reed

Cello

Faculty Artist Recital

Assisted by
Douglas Reed, piano

7:30 p.m.
1 October 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the sixth performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

From Jewish Life Ernst Bloeh

Prayer (1880-1959)

Supplication
Jewish Song

Sonata for Violoncello Solo, op. 25, no. 3 Paul Hindemith

Lebhaft, sehr markiert ( 1 895-1 963)

Massig schnell, Gemachlich
Langsam
Lebhafte Viertel
Massig schnell

Sonata in E minor, op. 38 for cello and piano Johannes Brahms

Allegro non troppo ( 1 833- 1 897)

Allegretto quasi Menuetto
Allegro

Sonata for Violoncello and Piano Robert Cundick

(b. 1926)

The Autumn Set

Autumn Gabor Lisznyai

Automne, op. 1 8, no. 3 Gabriel Faure

(1845-1924)
Autumn Leaves Johnny Mercer

(1909-1976)

performances.byu.edu

BYU

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Nova Chamber Artist

An Evening of String Quintets

Lun Jiang, violin
Joseph Evans, violin
Brant Bayless, viola
Claudine Bigelow, viola
Meeka Quan, cello

7:30 p.m.
5 October 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 14th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

String Quintet in G Minor, K. 5 16 Wolfgang Amadeus Mozart

Allegro (1756-1791)

Menuetto

Adagio ma non troppo
Adagio — Allegro

INTERMISSION

String Quintet in G Major, op. Ill Johannes Brahms

Allegro ma non troppo, ma con brio ( 1 833-1 897)

Adagio

Un poco allegretto
Vivace, ma non troppo presto

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

BYUH School of Music

presents

Eric Hansen

Bass

Faculty Artist Recital

Assisted by

Jayne Galloway, piano

7:30 p.m.
7 October 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 1 1th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Prelude and Fugue in A Minor

Milloslaw Gajdos

(b. 1948)

Croquis

Habanera

Mais que se-passe til done?

Tilbury

Tendresse

Reminiscence

Espagnolade

Serge Lancen
(b. 1922)

Three Etudes
Moderate

Edouard Nanny

Adagio

No. 10, from Gracilis ad Parnassian

Federigo Fiorillo

(1755-1823)

Franz Simandl

(1840-1912)

Arr. Eric Hansen

Madrigal

Trans. Stuart Sankey

Enrigue Granados

(1867-1916)

Arr. Eric Hansen

Romanza Dramatica

Giovanni Bottesini

(1821-1889)

Beaumont Rag

Arr. Stacey FrancomEric Hansen

Ashokan Farewell

Jay Ungar
Arr. Stacey FrancomEric Hansen

Tarantella

Trans. Milloslaw Gajdos

Henri Vieuxtemps

(1820-1881)
Arr. Eric Hansen

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music

presents

Jason Bergman

Trumpet

Student of
David Brown

Assisted by

Jonathan Bowman, piano

Required for

Bachelor of Music Degree

with Emphasis in Performance

3:30 p.m.
9 October 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 1 3th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Rondo For Lifey

Leonard Bernstein

(1918-1990)

Legende

Georges Enescu

(1881-1955)

Rustiques

Eugene Bozza
(1905-1991)

INTERMISSION

Concerto for Trumpet and Orchestra
Allegro-Cadenza
Nocturne
Final

Henri Tomasi

(1901-1971)

perforniances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music

presents

Group for New Music

Steven Ricks, director

Group for Experimental
Music

Christian Asplund, director

Carlton Vickers,y7wte

7:30 p.m.
9 October, 2004
Madsen Recital Hall
Harris Fine Arts Center

Terpsichorean Blue, was commissioned to be used in the International Harp
Competition at Indiana University. I was encouraged to "keep it friendly"
and to use "extra" sounds on the harp. The guitar slide sounds in the piece

came after attempts using dental floss, horn string, paper clips, a tuning
key and a finger splint. The particular slide used changes the sound so the

score specifies a particular brand and model. That one is heavy and can
cause some discomfort, but the sound is rich and matches the conventional

harp sound nicely.

The performer worked on the piece from the beginning, playing numerous

versions and teaching me about harp notation and technique. The result of

that collaboration sounds simple and is very difficult to perform.

MEB

This musical event is the 12th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Terpsichoran Blue

Maria Phippen, harp

Murray Boren
(b. 1950)

Boundless Light (2003), for solo flute and electroacoustic music

Carlton Vkkers, flute

Steven Ricks
<b. 1969)

World Premiere Performance
Commissioned by the Barlow Endowment for Music Composition at
Brigham Young University

Vision (2003)

Christian Asplund, piano

World Premiere Performance
Commissioned by Mormon Artists Group

Christian Asplund
(b. 1964)

2003)

Dennis Contreras, bass
INTERMISSION

Peter Askim

(1984)

JohnZom
(b. 1953)

Group for Experimental Music (GEM)

Robert Bennion, saxophone

Jeremy Bowen, bass

Margot Glasset, soprano

Joseph Jensen, tuba

Steven Liening, piano, bass

Andrew Maxfield, piano

Stuart Maxfield, violin

Christian Asplund, prompter

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music

presents

Jazz Legacy
Dixieland Band and
Hot Club Combo

7:30 p.m.

15-16 October 2004
Madsen Recital Hall
Harris Fine Arts Center

Jazz Legacy Dixieland Band The Hot Club

Steve Call, director Stuart Maxfield, violin

George Bailey, clarinet Kristen Bromley, guitar

Chad Ostermiller, tenor saxophone, Jesse Crosby, guitar

clarinet
Daniel Henderson, trumpet
Bryce Robins, trombone
Stuart Maxfield, violin, tenor banjo
Jesse Crosby, guitar, tenor banjo
Kristen Bromley, guitar, banjo
Brian Hd\\, piano
Joe Jensen, tuba
Matt Nielsen, drums

BYU Dixieland Band
Steve Call, director

Founded by Brigham Young University music faculty member Steve Call in
1985, Jazz Legacy has spread the joyful sounds of Dixieland jazz throughout the
United States and Japan.

In 1988 the band was recognized as one of three finalists in the International
Jazz Educators' Association/Southern Comfort Collegiate Dixieland Competition
and was selected as a featured performing group for four International Jazz
Education Conferences. The band has received a number of grants from the Utah
Arts Council to present community concerts throughout Utah. The band played an
extended engagement at Mitsui Greenland, a resort in Southern Japan.

In 1998, by invitation of Senator Orrin Hatch and the Utah Congressional
Delegation, the band represented Utah in the Millennium Stage State Days Concert
Series at the Kennedy Center for the Performing Arts, Washington, D. C.

Tonight's Hot Club Combo is modeled after a classic jazz group founded in
Paris by Django Reinhardt and Stephan Grapelli, the first important jazz artists
who were not Americans. Their group, The Hot Club of France, created a signature
sound and texture that has been copied by many small jazz ensembles, especially
in recent years.

Program

The Big Parade

Royal Garden Blue

Oh, Lady Be Good

Nuage

Minor Swing

By Heck

Struttin' with Some Barbeque

Wingy Mai one

Spencer Williams and Clarence Williams

George and Ira Gersw hin

Django Reinhardt

Turk Murphy

Louis Armstrong

INTERMISSION

Bourbon Street Parade
Canal Street Blues
Livery Stable Blues
Got a Match
Limehouse Blues

A Kiss to Build a Dream On

Paul Barbarin

Joe "King" Oliver

The Original Dixieland Jazz Band

Chick Corea

Douglas Furber
Philip Braham

Burt Calmar

Harry Ruby

Oscar Hammerstein II

That's a Plenty

Lew Polack

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 14th performance sponsored by the
BYU School of Music for the 2004-2005 season.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music

presents

Orpheus Wind Quintet

April Clayton, flute
Geralyn Giovannetti, oboe
Jaren Hinckley, clarinet
Laurence Lowe, horn
Christian Smith, bassoon

7:30 p.m.
20 October 2004
Madsen Recital Hall
Harris Fine Aits Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 15th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Petite Suite Claude Debussy

Trans. Goixion Davies ( 1 862- 1918)

En bateau

Cortege

Menuet

Ballet

Quartet in F Major, op. 96, "American" Antonin Dvorak

Trans. Dan Willett (1841-1904)

Allegro ma non troppo

Finale — vivace ma non troppo

Intermission

Jeux d'enfants (Children's Games) Georges Bizet

Trans. Gordon Davies ( 1 838-1 875)

Trompette et tambour (Trumpet and drum)

Petit mari, petite femme (Little husband, little wife)

La toupie (The spinning top)

La poupee (The doll)

Le bal (The ball)

perforniances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

American Piano Duo

Jeffrey Shumway
Del Parkinson

Music for Two Pianos by
Serge Rachmaninoff

Faculty Artist Recital

7:30 p.m.
22 October 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the perfonnance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 16th performance sponsored by the
BYU School of Music for the 200^2005 season.

Program

Fantaisie-tableaux (Suite No. 1 ), op. 5 Serge Rachmaninoff

Gondola Song: Allegretto (1873-1943)

The Night, and Love: Adagio sostenuto
Tears: Largo di molto
Russian Easter: Allegro maestoso

Suite No. 2, op. 17 Serge Rachmaninoff

Introduction: Alia marcia
Wartz: Presto
Romance: Andantino
Tarantella

Intermission

Symphonic Dances, op. 45 Serge Rachmaninoff

Non Allegro — Lento — Tempo I
Andante con moto (tempo di valse)
Lento assai — Allegro vivace

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Richard Soule
Flute

Assisted by
Hui-li Chih, piano

Guest Artist Recital

5:30 p.m.
23 October 2004
Madsen Recital Hall
Hanis Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 13th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Two Miniatures for Piano Maurice Ravel

Prelude (1913) (1875-1913)

Menuet sur le nom de Haydn ( 1 909) Arr. Richard Soule and Hui-li Chih

Prelude et Scherzo op. 35 Henri Busser

(1872-1973)

Sonate (1936) Paul Hindemith

Heiterbewegt (1895-1963)

Sehr langsam
Sehr lebhaft - Marsch

Intermission

Le Tombeau de Couperin (1914 — 1 7) Maurice Ravel

Prelude Arr. Richard Soule and Hui-li Chih

Fugue
Forlane
Rigaudon
Menuet
Toccata

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music

presents

Organ Studio Recital

Students of
Douglas E. Bush

7:30 p.m.
23 October 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 18th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Alia Phantasia primi toni

Herzliebster Jesu, was hast du verbrochen, op. 122, no. 2

Danzig Tablature
(1591)

Johannes Brahms

(1833-1897)

Lobe den Herren, den machtigen Konig der Ehren, op. 67, no. 24 Max Reger

Samuel Rojas

Sonata No. 4 in A Minor
Tempo moderato

Fugue in G Major, BWV 577

Holly Little

Joseph Rheinberger
(1839 1901)

Johann Sebastian Bach

(1685-1750)

Nun komm, der Heiden Heiland, BWV 599
Festive Trumpet Tune in F (1990)

Ashitaka to San

Shinji Inagi

Johann Sebastian Bach

David German
(b. 1954)

Joe Hisaishi
(b. 1950)

From La Nativite du Seigneur
Jesus accepte la souffrance
Les Enfants dc Dieu

Emily Spencer

Olivier Messiaen
(1908 1992)

Toccata "Nu la oss takke Gud'

Concerto in D Minor, BWV 596
[Allegro], Grave, Fugue
Largo e spiccato
[Allegro]

Egil Hovland
(b. 1924)

Johann Sebastian Bach

Joshua Smith

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

OcTUBAfest 2004

7:30 p.m.

27-30 October 2004
Madsen Recital Hall
Harris Fine Arts Center

Steve Call has been a member of the BYU's School of Music since 1979 where he
currently teaches tuba, euphonium, music education, and jazz studies. He also directs the
award-winning BYU Jazz Legacy Dixieland Band.

As a soloist Call has presented guest recitals and concerto performances throughout the
North America and Scandinavia. His recorded performance of "Tubby the Tuba" for solo
tuba, narrator, and orchestra is on a CD that is part of Macmillan - McGraw Hill's Share
the Music series. He is principal euphonium with Utah Premiere Brass and is tubist with
Wintergreen Summer Festival Orchestra in Virginia.

As a multi-instrumentalist he performs regularly on tuba, euphonium, trombone, flugel-
horn, comet, and piano. He also plays jazz on unusual instruments such as helicon, English
baritone horn, tenor horn, post horn, contrabass trombone, and melodica.

Dr. Call is a founding member and organizer of TUBA (Tubists1 Universal Brotherhood
Association, now the International Tuba and Euphonium Association). A crusader for the
tuba in jazz, Dr. Call has published numerous articles and reviews on jazz mba and is
author of two chapters on the tuba in jazz and commercial music that appear in The Tuba
Source Book, published by Indiana University Press. He served as chainnan of the Jazz
Improvisation Competitions and as an adjudicator for International Tuba-Euphonium Symposia.

Steve Call is an artist/clinician for Yamaha brass instruments.

Robin Hancock is a member of the piano faculty at Brigham Young University and
director of piano accompanying programs. He holds degrees from Central Washington
University. Brigham Young University, and Boston University. He was previously on the
faculties of U-Mass, Dartmouth, and Brookline Music School, and was organist for the
Christian Science church. He grew up in the Seattle area where he was part of his family's
show with a USO troupe performing at Fort Lewis, Washington during the Vietnam years.
He has concertized as a chamber musician around the world and is a member of three
piano ensembles: American Piano Quartet, Utah Piano Quartet, and the Hancock Brothers
Duo.

Brassworks is the Brigham Young University Faculty Brass Quintet. Founded in
1979, the ensemble has concertized extensively around the Intenriountain W^st under the
sponsorship of the Utah Arts Council. As the accompanying ensemble of the Mormon
Tabernacle Choir, Brassworks has performed throughout the United States, Canada, Japan,
Australia, and South Pacific. The quintet has been playing concerts in Utah schools
under the auspices of Young Audiences, Inc. and ARTS Inc. since 1981. Through a grant
from the Utah Centennial Commission, Brassworks Centennial Band performed for Utah
Centennial Celebrations throughout the state in 1995 and 1996. Brassworks also produced
a CD of authentic 19th Century Utah brass band music in conjunction with the Utah
Centennial.

27 October 2004

Steve Call, tuba, euphonium

Faculty Artist Recital

Robin Hancock, piano

Brassworks: BYU Faculty Brass Quintet

David Brown, trumpet

David Blackinton, trumpet

Laurence Lowe, horn

Will Kimball, trombone

PROGRAM

Quintet

Malcolm Arnold

Allegro Vivace

Chaconne

Con Brio

Concerto for Bass Tuba

Ralph Vaughan Williams

Romanza

Euphonium Concerto

Joseph Horovitz

Lento

Con Moto

Intermission

Pantomime

Philip Sparke

Six Studies in English Folksong

Ralph Vaughan Williams

Adagio

Andante sostenuto

Larghetto

Lento

Andante tranquillo

Allegro Vivace

My Grandfather's Clock George Doughty

Four Outings for Brass Andre Previn

II
III
IV

28 October 2004

Tuba and Euphonium Student Recital
Robin Hancock, piano

Premiere Etude De Concours

Brek Mangelson, euphonium

A. S. Petit-Laube

A Touch of Tuba

Suite For Tuba

Amy Biggs, tuba

Lane Johnson, tuba

Art Dedrick

Don Haddad

Andante

Robert Lacey, euphonium

Antonio Capuzzi
(1755-1818)

Tambourin

Concertino

Lento

Scott Gemmell, euphonium
Joe Jensen, tuba
Eric Smith, tuba

F. J. Gossec- Wilson

Eugene Bozza

Paul Holmes

Intermission

Granfather's Clock George Doughty

Shizuka Matsuzaki, euphonium

Tuba Concerto Edward Gregson

(b. 1945)
Matt McDowell, tuba

Variations on a Theme, from Judas Macabeus Ludwig van Beethoven

(1770-1827)
Ait. Bell
Tawna Hatfield, tuba

Fantasia Gordon Jacob

(1895-1984)
Joe Belliston, euphonium

BYU Tuba-Euphonium Ensemble founded in 1986 by music faulty member, Dr. Steve
Call, performs regularly at BYU. The group is featured at annual OcTUBAfest and
TubaChristmas events. In 1996 it was invited to be a featured performing ensemble at the
Utah Music Educator's Conference in St. George and in 1997, the ensemble was featured in
concert with the United States Navy Band. The ensemble plays a wide varity of literature
from Renaissance dances to jazz tunes.

The Utah Premiere Brass was formed in 2000 to revive a musical genre that was once
the pride of every Utah community. At the turn of the century, over 100 brass bands per-
formed throughout the state. There are only two today. Utah Premiere Brass has attracted
thirty-two professional players, from Bountiful to Ephraim.

This British-style brass band has a unique sound ranging from whispered pianissimos
to powerful fortissimos. Performances featuring Utah Premiere Brass also showcase a
breadth of musical styles, including original symphonies, light classical, jazz, Broadway
music, solo concertos, and others. Utah Premiere Brass* emerging blend of musicianship
and humor has produced overwhelming audience support.

Alan Boyer conductor and artistic director of Utah Premiere Brass (UPB), moved
to Utah from his native England in April 1998. He began playing cornet at the age of
eleven and took up conducting at the age of fifteen. Alan considers himself fortunate to
have been taught by many of the world's leading brass band musicians having played
with and conducted many of the United Kingdom's leading brass bands. His high level
of experience permeates the Utah Premiere Brass to make it a dominant music ensemble.
Alan has a wealth of business experience and is entrepreneurial in his approach to Utah
Premiere Brass. In 2003 he presented a successful program on public radio entitled
"Horns Aplenty, Bands of Brass: The Legacy of the British Brass Band."

For UPB, his objectives are clear: "Make it good and then make it better." He fully
believes in entertaining an audience and through entertainment, people will become bet-
ter educated about music in general and the brass band in particular. Alan is married to
Anne, the bands principal cornet player, and they have a teenage son James, who plays
trombone and percussion.

Adam Frey represents one of the elite brass soloists in the world by bringing his sharp
intellect, mature musicianship, and charismatic stage presence to audiences all over the
world. A native of Atlanta, Georgia, Adam began his musical studies at the University
of Georgia under Dr. David Randolph and earned a bachelor of music magna cum
Jaude. Adam later completed a master of music with Distinction and a professional
performance diploma with Distinction from the Royal Northern College of Music in
Manchester, England.

Adam has traveled extensively with concert appearances in Europe, America, and
Austral-Asia.appering with orchestras, wind bands, brassn bands, and as a solist. Some
orchestral ensembles have included the Boston Pops (USA), Cheju (South Korea),
Fort Collins (USA), Vaasa (Finland), Greensboro (USA), LaGrange (USA), and the
University of Georgia (USA) Symphony Orchestras. Brass band concerts have mainly
been concentrated in Europe performing with the National Youth Brass Band of
Switzerland, Luzem Youth Brass Band (Switzerland), Soli Brass (Holland), Point of
Ayr (Wales), Brass Band of Battle Creek (USA), Willoughby City Band (Australia),
Williams Fairey Band (UK), Fodens Courtois Band (UK), and Besses'O the Barn (UK).
Wind band solo appearances have included the Guardians Band (Finland), Ilshin Girls
Band (South Korea), Bavarian State Police Band (Germany), Nashville Wind Ensemble
(USA), Blue Lake Festival Band (USA), University of Georgia Wind Symphony (USA),
University of Utah Wind Ensemble (USA), and the Atlanta Wind Symphony (USA) to
name but a few.

Adam Frey is Yamaha artist/clinician.

29 October 2004

Utah Premiere Brass

Program

Blenheim Flourishes

James Cumow

Rhapsody for Euphonium

Adam Frey, euphonium

James Cumow

Softly as I Leave You

Adam Frey, euphonium
Steve Call, euphonium

A. Dirita

Shepherd's Hey

Percy Grainger
(1882-1961)

Them Basses

Getty Huffine

Intermission

The Contester

T. J. Powell

Rule Britannia

Adam Frey, euphonium

John Hartmann

Peace

Adam Frey, euphonium

John Golland
(1942-1963)

Festive Overture

Dmitry Shostakovich
(1906-1975)

30 October 2004

Grant OcTUBAfest Concert
Tuba-Euphonium Ensemble

Adam Frey, euphonium

Robin Hancock, piano

Steve Call, tuba

Bob Bailey, piano

Program

Eine Kleine nachtmusik
Allegro

Wolfgang Amadeus Mozart
(1756-1791)
Arr. Peoples

Mon coeur se recommende a vous

Orlando de Lassus

(1532-1594)

Arr. Robinson

Power

John Stevens

Sonata No. 2

Johann Pezel
Arr. Stevens

Londonderry Air

Jazz Selections (TBA)

Adam Frey, euphonium

Intermission

Traditional
Arr. Garrett

Shapes of the Morning

La virgen de la Macarena

Euphonium Concerto

David Morgan

Charles Koff

Jukka Linkola

BRICHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Yeagi Kim

Violin

Assisted by

Jayne Galloway, piano

Student of
Monte Belknap

Required for

Bachelor of Music Degree

with Emphasis in Performance

7:30 p.m.
2 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 21st performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Partita No. 3 in E-Major, BWV 1 006 Johann Sebastian Bach

Preludio (1685 1750)

Loure

Sonata for Violin and Piano No. 21 in E-Minor, K 304 Wolfgang Amadeus Mozart
Allegro (1756 1791)

Tempo di menuetto

Caprice Viennois Fritz Kreisler

(1875 1962)

INTERMISSION

Concerto No. 3 in B-Minor, op. 61 Camille Saint-Saens

Allegro non troppo (1835 1921)

Andantino quasi allegretto
Molto moderato e maestoso

perfoiTnances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music
presents

Symphonic Band

Donald Peterson, conductor

Wind Symphony

David Blackinton, conductor

7:30 p.m.
3 November 2004
de Jong Concert Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 22nd performance sponsored by tru
BYU School of Music for the 2004 2005 season.

performances.byu.edu

Program

Little English Girl

D. Delle Cese

Selections from The Danserye
La Morisque
Bergerette
Ronde & Salterelle
Rondc & Aliud
Pavane: La Battaille

Tielman Susato
An*. Patrick Dunnigan

O Magnum Mysterium
Trans, by H. Robert Reynolds

Morten Lauridsen

Shepherd's Hey
Aspen Jubilee

Symphonic Band

Percy Aldridge Grainger

Ron Nelson

Pineapple Poll
Opening Number
Jasper's Dance
Poll's Dance
Finale

Arthur Sullivan
Arr. Charles Mackerras

Amazing Grace

Frank Tichelli

The Jig Is Up

Daniel Kallman

Americans We

Henry Fillmore

Symphonic Songs for Band
Serenade
Spiritual
Celebration

Wind Symphony

Robert Russell Bennett

Piccolo

Meleece Cheal

Flute

Sherry Lowry
Jennie Harris
Kayla Barnes
Erin Speight
Rose-Ellen Wood
Chrissy Stornetta
Kate Holt
Annie Elmer

Oboe

Megan Beardall
Lizzy Nelson
Amberlee Truman
Morgan Busch

Basson

Abby Anderson
Megan Brown
Laurel Schmutz
Michelle Peterson

Clarinet

Daniel Bailey lst/E-flat
1st clarinets

Ruth Hinckley

Shannon Epps

Symphonic Band Fall 2004

Tandi Hoffman
Andrea Zundel
2nd clarinets
Heather Hagedorn
Jory Woodis
Elizabeth Criswell
Janelle Kane
Katie Mack
Sara Conger
3rd clarinets

Ariel Wootan

Dani Bahr

Amanda Cahoon

Kirsti Burr

Kaci Campbell

E-flat Clarinet

Daniel Bailey

Bass Clarinet

Keve Bybee

Contra bass
Clarinet

Richard Leake

Alto Saxophone

Jeff Broadbent
Chris Black
Rachel le Read

Jacob Edvelsen

Tenor Saxophone

Blake Wilkins
Karl Rosengren

Baritone
Saxophone
Patrick Summerhays

Horn

Melissa Pratt
Liz Whitehead
Jon White
Liz Coon
Rene Barlow
Katie Cannon
David Whitney
Robert Root

Trumpet

Erin Cox
Jim Whitehead
Courtney Hohl
Tyler Rencher
Rochelle Sprague
Sarah Wilcox
Alan (Taylor) Kelley
Brad Packer

Trombone

Michelle Flowers
Patience Mem 11
Da lien Christenson
Tom LeBaron
Sean Young

Euphonium

Robert Lacey
Sizuka Matsuzaki
Brek Mangelson
Jannell Peterson

Tuba

Lane Johnson
Eric Smith
Savannah Wheeler
Amy Biggs

Percussion

JeffHolt
Daniel Adams
Jeffrey Bartholomew
Andrew Forbes
Elise Crawford

Wind Symphony Fall 2004

Flute

Sarah Kerns
Alicia Christensen

Kacey Craft

Piccolo
Amy Honka

Oboe

Alyssa Christianson
Julia Hobbs

English Horn

Julia Hobbs

Basson

Jorge Torres
Erin Tippets

Clarinet

Susan Croft
Michael Whatcott
Erin Layton
Rachel Jones

Bryn Huntington
Andrea Davis
Melody Thatcher
Leslie Wilson
Stephanie Allred
Jason Allphin

E-flat Clarinet

Erin Layton

Bass Clarinet

Peter Shirts
Ryan Alder

Contra Bass
Clarinet

Christopher Tanzie

Alto Saxophone

Megan Fisher
Rick Nobbe

Tenor Saxophone

Chad Ostermillcr

Baritone
Saxophone

Conrad Allen

Horn

Nicholas Dudoich
Kara Tullis
Claire Barker
Jenny Jo Cox
Jonathan Johnson

Cornet

Seretta Hart
Michelle Mingledorff
Levi Richins

Nathan Sheranian

Trumpet
Jcred Hearld
Mat Foley

Trombone

Alisha Aid
Joe Hansen

Paul Hannibal
David Blackner

Euphonium
Joseph Belliston
Scott Gemmell

Tuba

Matt McDonell
Tawana Hatfield

String Bass

Tim Krumwiede

Percussion

Celeste Cope
Jared Morris
Jenne West
Andrew Merrel I
JP Andersen

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music

College of Humanities

Department of Germanic and Slavic Languages

presents

Modern from her hat to her heels

Female Composers in Fin-de-siecle Vienna

The 3rd Annual 'Sophie's Daughters' Recital of Germanic
Female Composers' works

Ruth Christensen, director, mezzo-soprano
Robert McFarland, narrator
Robin Hancock, piano

Melanie Antuna, narrator

Julie Beistline, violin

Anna Mooy Braithwaite, mezzo-soprano

Jonathan Bowman, piano

Sarah Clement, violin

Adam Crandall, violoncello

Rachel Robertson Cox, soprano

Carolyn Dehdari, narrator, violin

Kelsey Draper, narrator

Michelle Flowers, narrator

Bryson Mortensen, baritone

Brandon Matthews, viola

Shane Peterson, narrator

Lawrence Vincent, tenor

Christiane Alice Swenson, soprano

7:30 p.m.
4 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Program

Fraulein bitte, sind Sie musikalisch?

Lawrence Vincent, tenor

Camilla Frydan
(1887-1949)

In meines Vaters Garten
Laue Sommernacht
Bei dir ist es traut
Ich wandle unter Blumen

Bryson Mortensen, baritone
Anna Mooy Braithwaite, mezzo-soprano

Alma Schindler Mahler
(1879 1964)

Sommerlieder fur Streichquartett
Rittersporn
Ruter mohn
Vergissmeinnicht
Komblumen
Jasmin
Rosen

Carolyn Dehdari,v/o//«

Sarah Clement, violin

Brandon Matthews, viola

Adam Crandall, cello

Robert McFarland, narration

Vilma von Webenau

(1875-1953)

Leben sie mit meiner Frau.

Lawrence Vincent, tenor

Camilla Frydan

Phantasie in e-moll

Mathilde Kralik von Meyrswalden
(1857-1944)
Christiane Alice Swenson, soprano
Julie Beistline, violin

Friihling
Sommer
Herbst
Winter

Vilma von Webenau

Jonathan Bowman, piano

Zwei Lieder, op. 1 1
Nahe des Geliebten
An die Entfemte

Johanna Mtiller-Hermann
(1868-1941)

Rachel Robertson Cox, soprano

Vier Lieder, op. 20

Waldseligkeit

Johanna Muller-Hermann

Ruth Christensen, mezzo-soprano

Abschieds Brief

Die Frauen von Wien sind so zauberhaft schon

Ruth Christensen, mezzo-soprano

Anna Mooy Braithwaite, mezzo-soprano

Lawrence Vincent, tenor

Camilla Frydan

NOTES

The Sophie Archive is a digital library containing works by German female
authors, artists, and composers. The text portion of the archive contains approxi-
mately 600 titles by German-language women writing between 1450 and 1922.
These texts — which have previously been out of print and difficult to access —
include a broad spectrum of genres, including novels, stories, dramas, autobi-
ographies, letters, travel journals, poetry, and colonial writings. The archive is
sponsored by the Coalition of Women in German with funding from Brigham
Young University's College of Humanities, Department of Germanic and Slavic
Languages, ORCA. and Women's Research Institute.

Early in 2002 Dr. Ruth Christensen of the School of Music was introduced to the
Sophie Digital Archive by Dr. Michelle Stott James and Dr. Robert McFarland
of the Department of Germanic and Slavic Languages. Together they initiated
an interdisciplinary research and performance project for the students of these
academic areas. During the summer of 2002 five students participated with
Dr. McFarland in BYU's Study Abroad program in Vienna, as well as travel to
Frankfurt to the Frau und Musik Internationaler Arbeitskreis archive, where they
retrieved several musical scores by German female composers. The first annual
Sophie's Daughters recital, held in October 2002, was the result of these score
acquisitions. In July of 2003 Dr. Christensen again traveled to the archive in
Frankfurt with two BYU graduates, retrieving a sizeable collection of the songs
of Luise Greger, some of which were performed at the second annual Sophie's
Daughters concert last year, 2003. This summer Dr. Christensen worked with
BYU students Shane Peterson and Carolyn Dehdari in acquiring music by
Viennese fin-de-siecle female composers for tonight's recital.

Many thanks to the Osterreichische Nationalbibliotheks Musiksammlung for the
permission to copy various musical materials in its holdings; to the Schoenberg
Institute of Vienna for its generous help regarding Vilma von Webenau materi-
als, and to the Wiener Stadt- und Landesbibliothek Musiksammlung for its help
with works by Camilla Frydan. Many thanks to Erich Hermann of Vienna for
his kind permission to use the works of Johanna Muller-Hermann in tonight's
performance, and for his help in giving biographical details as well. Thanks to
Shane Peterson for his able assistance this summer in Vienna, and to the Laycock
Center for Creative Collaboration in the Arts for funding a portion of this on-
going project. Finally, thanks to the performers and narrators on tonight's pro-
gram, students and faculty from the School of Music and the Department of
Germanic and Slavic Languages.

Visit Sophie's Daughters database at:
http://humanities.byu.edu/Sophie/daughters/index.html

This musical event is the 24th performance sponsored by the
BYU School of Music for the 2004-2005 season.

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Leslie Richards

Viola

Student of
Claudine Bigelow

Assisted by

Joanna Oshida, piano

Jonathan Bowman, piano

Required for

Bachelor of Music Degree

with Emphasis in Performance

5:30 p.m.
5 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 26th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Romance for Viola and Orchestra, op. 85 Max Bruch

(1823-1920)

Suite No. 2 in D-minor for Solo Violincello, BWV 1008 Johann Sebastian Bach
Trans, by Simon Rowland-Jones (1685-1750)

Prelude

Allemande

Courante

Sarabande

Menuets I &II

Gi2ue

Sonate, op. 1 1 no. 4 Paul Hindemith

Fantasie (1895-1963)

Thema tnit Variationen
Finale (mit Variationen)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications

School of Music

presents

Gerta Grimci

Piano

Student of
Irene Peery-Fox

Required for
Bachelor of I
with Emphasis in Performance

Bachelor of Music Degree

7:30 p.m.
5 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 24th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Sonata in F Major, K. 468

Allegro
Sonata in F Minor, K. 462

Andante

Domenico Scarlatti

(1685-1757)

Domenico Scarlatti

Two Concert Etudes
Waldesrauschen
Gnomenreigen

Franz Liszt
(1811-1886)

Sonatas and Interludes for Prepared Piano
Sonata No. 6
Interlude No. 1
Sonata No. 5

John Cage
(1912-1992)

Pictures at an Exhibition
Promenade
Gnomus
Promenade
Old Castle
Promenade
Tulieries
Bydlo
Promenade

Ballet of the Unhatched Chicks
Samuel Goldenberg and Schmuyh
Promenade
Limoges-The Market
The Catacombs
Baba Yaga
Great Gate of Kiev-

Modest Petrovich Musorgsky
(1839-1881)

Rondo a Capprioccio, op. 129, "Rage Over a Lost Penny" Ludwig van Beethoven

(1770-1827)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Women's Chorus

Jean S. Applonie, conductor
Carrie Smolnik, assistant conductor

Men's Chorus

Rosalind Hall, conductor

Timothy Workman, assistant conductor

7:30 p.m.

5-6 November 2004
de Jong Concert Hall
Harris Fine Arts Center

Women's Chorus

Jean S. Applonie, conductor

Carrie Smolnik, assistant conductor, piano, organ

Claire Bangerter, piano

Rachel Harlos, cello

In Gratitude

i thank You God Gwyneth Walker

(b. 1947)

i thank You God for most this amazing
day:for the leaping greenly spirits of trees
and a blue true dream of sky; and for everything
which is natural which is infinite which is yes

(i who have died am alive again today,
and this is the sun's birthday;this is the birth
day of life and love and wings:and of the gay
great happening inimitably earth)

how should tasting touching hearing seeing
breathing any-lifted from the no
of all nothing—human merely being
doubt unimaginable You?

(now the ears of my ears awake and
now the eyes of my eyes are opened)

— e. e. cummings

In Troubled Times

O salutaris Hostia Frank Ferko

(b. 1950)

O salutaris Hostia, O Redeeming Sacrifice,

Quae caeli pandis ostium, Which opens the gate of heaven,

Bella premunt hostilia, Enemies threaten wars,

Da robur, fer auxilium. Give us strength, send aid.

Unitrinoque Domino To the Lord and Trinity

Sit sempiterna gloria: May there be eternal glory:

Qui vitam sine termino, Let him give us in this land

Nobis donet in patria. Amen. Life without end. Amen.

Prayer of St. Francis Imant Raminsh

(b. 1943)

Of Praise and Salvation

Exult You Now. Raise to the Skies

Johann Hermann Schein
(1586-1630)

Miserere mei, Deus

Miserere mei Deus,
Secundum magnam

misericordiam tuam
Et secundum multitudinem

miserationum tuarum
Dele iniquitatem meam.
Amplius lava me ab

iniquitate mea,
Et a peccato meo munda me:
Quoniam inituitatem meam

ego cognosco:
Et peccatum meum contra

me est simper.

Johann Adolph Hasse
(1699-1783)

Have mercy upon me, O God,
According to your great

loving kindness.
And according to the multitude of

your mercies,
Blot out my iniquity.
Wash me yet more from

my iniquity,
And cleanse me from my sin.
For I acknowledge

my transgression:
And my sin is ever

before me.

Der Hen- is gross

Heinrich Schutz

(1585-1672)

Der Herr ist Gross und

sehr loblich
Und seine Grosse ist

unaussprechlich.
Kindeskind warden deine
Werke preisen,

Und von deiner Gewalt sagen.
Alleluia.

The Lord is grand and

very laudable.
And His grandness

is ineffable.
Children's children will praise
Thy works,
And tell of Thy force.
Alleluia.

Into Love and Delight

Dancing

The Gift to Be Simple

Scott A. Tucker

(b. 1957)

Arr. Bob Chilcott

(b. 1955)

No Boundaries, No End

Fences

Spells

If You Could Hie to Kolob

Andre Thomas
(b. 1952)

Bob Chilcott
(b. 1955)

William W. Phelps

(1792-1872)

Arr. Jean S. Applonie

INTERMISSION

Men's Chorus

Rosalind Hall, director

Timothy Workman, assistant conductor

Jonathan Bowman, piano

Morgan Busch, piano

Chad Jenks, organ

Marilee Hawkins, Native American flute

Three 20th Century Settings of Old Testament Texts

Praise Him! (Psalm 150) Michael Cox

(b. 1948)

Isaiah 44:3 Jackson Berkey

(b. 1942)

O Be Joyful in the Lord (Psalm 100) Gilbert Martin

(b. 1941)

Call of the Wild

Ainu Folk Songs Osamu Shimizu

Bear Festival (1911-1986)

Whale Festival

Birds of Fire Paul Halley

(b. 1952)
We are the stars which sing,
We sing with our light.
We are the birds of fire,
We fly over the sky.
Our light is a voice;

We make a road for the spirits to pass over.
Among us are three hunters
who chase a bear;
There never was a time
When they were not hunting.
We look down on the mountains.
This is the song of the stars.

— Passamaquoddy poem
Collected and translated by
Charles Godfrey Leland

The Natural Man! Ait. Ed Lojeski, Fred Fisher, Renee Craig

It's Hard to Be Humble
They Go Wild
You Gotta Know How
How Could You Believe Me?

Hymns and Anthems

More Holiness Give Me Phillip Paul Bliss

(1838-1876)
Arr. Ronald Staheli

Llanfair Robert Williams

(1781-1821)
Arr. Mansel Thomas

Loving-Kindness Stephen Paulus

(b. 1949)
Put away all your hindrances,
let your mind full of love
pervade one quarter of the world,
and so too the second quarter,
and so the third,
and so the fourth.
And thus the whole wide world,
above,
below,

around and everywhere,
altogether continue to pervade
with love-filled thought,
abounding,
sublime,

beyond all measure,
free from hatred and ill-will.
Continue to pervade with love-filled thought,
Abounding,
Sublime,
Beyond measure,
sublime.

— Adapted from The Digha Nikaya

Soprano I

Veronica Aralova
Andrea Brassfield
Lisa Brooksby
Carolynn Can-
Rebecca Castleton
Whitney Cole
Alicia Darley
Alicia Dyer
Ashlee Giullian
Ashley Goodson
Alicia Hansen
Jennifer Hansen
Eliza Hendryx
Krystle Hessing
Amy Hoggan
Allison Jones
Rachel Mecham
Melanie Merkley
Melanie Price
Ralynne Riggs
Cadence Tuttle
Jessica Waite
Rebecaa Warthen

Women's Chorus Fall 2004

Soprano II Alto I

Nadine Allen
Laura Arntz
Tiffany Ash
Melissa Bentley
Katharine Chamberlin
Cora lee Choules
Rachel Cunningham
Carolee Fairbanks
Jana Fletcher
Rachel Flygare
Annalise Godfrey
Catherine Hess
Jessica Hyde
Jenny Isabell
Bren Jackson
Sara Jensen
Laura Judd
Ariana Leinbach
Taran Mellor
Emily Nielsen
Jessica Penovich
Emily Powell
Sarah Lynn Robertson
Julie Salazar
Mary Sanders
Lisa Smith
Bethany Snow
Jennifer Stone
Chelsie Van De Graaff
Debra Weed
Jen Willahan
Emily Williams
Lisa Williams
Nicole Woodbury
Mikelle Young

Amy Arnold
Michelle Brady
Whitney Brown
Torrie Casebolt
Mikale Clark
Jennifer Day
Lindsay Esplin
Katherine Fisher
Estee Graham
Megan Graves
Anne Hamilton
Kourtnee Jewett
Nicole Johnson
Laura Krebs
Jessie Leatham
Tiffany Martinez
Emily Masterson
Jennifer Morgan
Patricia Navo
Amy Norton
Erin Okerlund
Ruth Olson
Laura Oviatt
Alicia Packer
Emily Petersen
Andrea Quinn
Janelle Ray
Whitney Richards
Ana Maria Roundy
Arisa Sanchez
Jana Schurig
Melanie Smith
Melissa Smith
Nathalie Staffler
Whitney Stephens
Alta Stokes
Annie Sun
Nicole Taylor
Melissa Thorne
Amy Tidwell
Jessica Turberville
Chelsea Wells
Emily Wikle
Brooke Wilkins
Megan Winegar
Julia Woodbury

Alto II

Kristin Andelin
Lynn Anderson
Jennifer Ball
Claire Bangerter
Lori Bikhazi
Tara Brinkerhoff
Jana Burton
Amanda Bussey
Veronica Clark
Jessica Crego
Erin Cunningham
Heather Currey
McKenzi Faas
Heidi Harris
Julianna Hopkins
Sarah James
Torri Jones
Kathryn Lambert
Leslie Leatham
Kadee Leavitt
Erin Lindsley
Megan Malouf
Kate Maryon
Marci Mcintosh
Celeste Mower
Diane Orme
Melanie Orton
Valerie Perkins
Thalia-Rae Perryman
Amber Poole
Mikell Price
Melissa Ray
LindseyRichardson
Megan Rose
MichelleSamuelsen
Tirsa Sanchez
Adriana Sepulvada
Torrey Smith
Ashley Stitt
Emily Stout
Sarah Stufflebeam
Landon Taylor
Sarah Thomas
Jennifer Tillman
Natalie Turley
Julie Volk
Jenny West
Melissa Wettlaufer
Amy Wilson
Natalie Wolthuis

Tenor I

Men's Chorus Fall 2004

Tenor II Baritone

Bass

Charles AllenJr.
Logan Bradford
Joseph Castleton
Robbie Culp
Cory Dahl
Jonathan Duncan
Jacob Erickson
Drew Graham
Matthew Hemby
Robert Hill
Bryan Jackson
Chad Jackson
Joel Jolley
Joseph King
Adam Marchant
Daniel McDavitt
James McKell
Jacob Meldrum
Chad Nielson
Devin Orton
Brad Romney
Johan Scholte
Lowell Smith
Jason Snarr
Patrick Stephens
Dean Stonehocker
Sean Tibbitts
Matthew Tolson
Nathan Waite
Gregory Walker
Adam Welch
Bryce Youngquist
Andrew Zvirzdin

Christopher Allen
Eric Allan
Brandon Barber
Brian Baer
Ted Berger
Brigham Beutler
Justin Bills
Morgan Busch
Edward Cain
Nathan Christensen
Steven Cowles
Ben Curran
Richard Fames
Jordan Fovvers
Stephen Francis
Brian Friedman
Shawn Hammond
Jonathan Hansen
Aaron Harrison
David Hartvigson
Josiah Home
Jordan Hull
Norman Johnson
Brian Kohrman
Scott Kraczek
Douglas Marchant
David Marriott
Ammon Marshall
Michael McClellan
Kevin McMurtrey
Patrick Nelson
Joseph Olson
Alexander Peterson
Baptiste Prevot
AndreRichardsw
Justin Tullis
John Younberg

Ryan Alder
Collin Allan
Evan Allan
David Beckstead
Christopher Beus
Robert Blake
Daniel Cahoon
Christian Carlson
Marc Fehlberg
Scott Ferguson
Jonathan Gardea
Grant Gardner
Timothy Hansen
Michael Hess
Sean Hess
Michael Hohmann
Addison Johnson
Mitchell Kelly
Robert McGuire
Jason Meeker
David Mortimer
Daniel Nelson
Jonathan Pluim
Joshua Pluim
Ryan Rampton
Brandon Riggs
Brent Rowse
Phillip Rufener
Joseph Shim
Nathan Toon
Dennis Wendt
Phillip Wensel
Kenneth Wiser

Timothy Ashworth
Blake Ballard
Stewart Campbell
David Clark
Derek Fames
Lance Gibson
Tobin Hale
David Halgren
Joshua Haynie
Benjamin Jensen
James Jones
Douglas King
Robert Kinghom
Steve Loando
Christoph Luschin
Peter Lyan
Jesse Lyan
Michael Malquist
Trent Mikesell
Derek Monson
Sean Mortensen
Brett Partridge
Dane Robinson
Eric Roundy
Michael Sandridge
Daniel Scow
Matthew Shepherd
Benjamin Snow
Brian Spencer
Eric Syphus
Daniel Tanner
Andrew Thome
Matthew Toon
Jonathan Urie
Brian Wall
Joss Wertz
Michael Wilde

Stewart Campbell. Ben Jensen, Jordan Fowers. Jordan Hull, Scott Kraczek,

Brandon Riggs, Michael Hohmann, Ryan Rampton, Kenneth Wiser, percussion

Michael McClellan, Peter Lyon, bass

BYU Singers and Concert Choir

Friday and Saturday, 12 and 13 November, 7:30 p.m.

de Jong Concert Hall

Celebration of Christmas

Friday, 3 December, 7:30 p.m.

Saturday, 4 December, 3:00 p.m. and 7:30 p.m.

de Jong Concert Hall

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Kandis Bender

Percussion

Assisted by
Cathy Knoles, harp
Ron Brough, marimba
Regan Brough, bass
Andrew Tolman, congas

Student of
Ron Brough

Required for

Bachelor of Music Degree

with Emphasis in Music Education

1:30 p.m.
6 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 28th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Prelude and Fugue in B-flat Major

Johann Sebastian Bach
(1685-1750)

Canticle for Solo Timpan
Freely
Joyous

Stanley Leonard
(b. 1931)

Hit and Run

Sydney Hodkinson

(b. 1934)

Bye Bye Blackbird
Trans, by Kandis Bender

Ray Henderson
(1896-1970)

Crazy Army March
Trans, by Kandis Bender

Steve Gadd
(b. 1945)

Dance Class

Andy Narell

(b. 1954)

perforraances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Kristen Fry

Flute

Assisted by

Diane Bastian, piano

Student of
April Clayton

Required for

Bachelor of Music Degree

with Emphasis in Perfonnance

3:30 p.m.
6 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 27th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Partita in A Minor for Solo Flute, BWV 1013 Johann Sebastian Bach

Allemande (1685 1750)

Corrente
Sarabande
Bourree Angloise

Le merle noir Olivier Messiaen

(1908-1992)

Le merle blanc, op. 161 Eugene Damare

(1840-1919)

Intermission

Sonata for Flute and Piano Otar Taktakishvili

Allegro cantabile ( 1 924 1 989)
Moderato con moto
Allegro scherzando

Fantaisie Pastorale Hongroise, op. 26 Albert Franz Doppler

(1821-1883)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Saxophone Chamber Night

DB Long, director

7:30 p.m.
9 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the perfonnance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 30th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Andante et Scherzo
Andante
Scherzo

Eugene Bozza
(1905-1991)

Le Petite Negre

Claude Debussy
(1862-1918)

QuaUior Pour Saxophones
Gaiete Villageoise
Doux Paysage
Papillons (Scherzo)
Concert Sur La Place (Humoristique)

Faustin & Maurice Jeanjean
(1900-1979)

Chris Black, soprano saxophone

Jory Woodis, alto saxophonne

Blake Wilkins, tenor saxophone

Rachelle Reid, baritone saxophone

Prelude and Dance
Prelude
Dance

Robert Linn
(1925-1999)

Valse Chromatique

Pour Quatuor de Saxophones

Divertissement

Pour Quatuor de Saxophones

Prelude

Ronde

Menuetto

Final

Chad Ostermiller, soprano saxophone

Rick Nobbe, alto saxophone

Megan Fisher, tenor saxophone

Conrad Allen, baritone saxophone

Pierre Vellones
(1889-1939)

Jean Meyer
(b. 1910)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Women's Vocal Jazz &
Jazz Voices

Kelly Eisenhour, director

7:30 p.m.

10 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 31st performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Women's Vocal Jazz

You Made Me Love You

Early Autumn
Centerpiece

J. McCarthy/J. Monaco
Arr. Michele Weir

Arr. The King Sisters

Lambert/J. Hendricks/D. Ross
Arr. Kelly Eisenhour

Jazz Voices

To Dare The Moon

Pure Imagination
Sleeping Bee

Icarus

Night in Tunisia

The Nightengale Sang in Berkley Square

Late Night Blues

New York Voices
Arr. Darmon Meader

Arr. Brad Christensen

Arlen Capote

Arr. Michele Weir

R. Towner/G. Rosen

Arr. Gary Rosen

D. Gillespie

Arr. Alex MacLean

E. Maschwitz/M. Sherwin
Arr. Gene Puerling

D. Beach/M. Tomaro/S. Moninger
Arr. Susan Moninger

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

BRIGHAM YOUNG
UNIVERSri

SINGERS

RON VLDSTAMI2LI

7:30 p.m.

12-13 November 2004
deJong Concert Hall
Harris Fine Arts Center

Brigham Young University Singers

Ronald Staheli, conductor

Jill Winters, Brent Wells, Timothy Workman, graduate assistants

PROGRAM

Two Songs of Faith

Cantate Domino Claudio Monteverdi

(1567-1643)

Sing to the Lord a new song and bless His name.
Sing and rejoice with the harp and the voice of a psalm
because of the wonders He has done.

What Stood Will Stand Paul Halley

(b. 1952)
What stood will stand though all befallen,
The good return that time has stolen.
Though creatures groan in misery,
Their flesh prefigures liberty
To end travail and bring to birth
Their new perfection in new earth.

At word of that enlivening
Let the trees of the wood all sing
And every field rejoice, Let praise
Rise up out of the ground like grass.

What stood, whole in ev'ry piecemeal
Thing that stood, will stand though all fall.
Field and woods and all in them
Rejoin the primal Sabbath's hymn.

— Wendell Berry

This World Is Not My Home Johannes Brahms

Ach, arme Welt, op. 110, no. 2 (1833-1897)

Ah, poor world, you deceive me;

yes, I truthfully admit that, yet still I cannot avoid you.

Your glory and your wealth, poor world,
are lacking in death and times of real need;
your treasure is vain, false money.
Help me, Lord, to be at peace with this.

Ich wollt, dass ich daheime war, op. 12, no. 5 Hugo Distler

(1908-1942)
I wish I were at home and able to dispense with the world's comforts.
I mean at home in Heaven's Kingdom, I will see God eternally.
Onward, my soul, and position thyself. There hosts of angels

wait for you.
For all the world is too small when one comes home again.
At home is life without death and total joy without need.
There a thousand years are as today, and nothing shall displease you.
Onward, my heart, with all courage, and seek that good above

all Good.
You have here no accommodation, tomorrow or today.
There it is otherwise, so flee the world's false shine.
Farewell, world, God bless thee! Toward Heaven's Kingdom

now I travel.

Three Sonnets by William Shakespeare

Sonnet 64 Dominick Argento

(b. 1927)

When I have seen by Time's fell hand defac'd
The rich proud cost of outworn buried age;
When sometime lofty towers I see down-raz'd,
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss, and loss with store;
When I have seen such interchange of state,
Or state itself confounded to decay;
Ruin hath taught me thus to ruminate
That Time will come and take my love away.

This thought is as a death which cannot choose
But weep to have that which it fears to lose.

Sonnet 29 (Sweet Love Remember' d) Lane Johnson

(b. 1958)
When in disgrace with fortune and men's eyes
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man's art, and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts my self almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven's gate;

For thy sweet love remembered such wealth brings

That then I scorn to change my state with kings.

Sonnet 76 Alfred Janson

(b. 1937)

Why is my verse so barren of new pride,

So far from variation or quick change?

Why with the time do I not glance aside

To new-found methods, and to compounds strange?

Why write I still all lone, ever the same,

And keep invention in a noted weed,

That every word doth almost tell my name,

Showing their birth, and where they did proceed?

O! know sweet love 1 always write of you,

And you and love are still my argument;

So all my best is dressing old words new,

Spending again what is already spent:

For as the sun is daily new and old,

So is my love still telling what is told.

O Mistress Mine: A Garland of Elizabethan Poetry Nils Lindberg
Cherry Ripe (b. 1933)

There is a garden in her face,

Where roses and white lilies grow;
A heav'nly paradise is that place,

Wherein all pleasant fruits do flow.

There cherries grow which none may buy
Till cherry-ripe themselves do cry.

Those cherries fairly do enclose

Of Orient pearl a double row,
Which when her lovely laughter shows,

They look like rosebuds filled with snow;
Yet them no peer nor prince can buy,
Till cherry-ripe themselves do cry.

Her eyes like angels watch them still;

Her brows like bended bows do stand,
Threat'ning with piercing frowns to kill
All that attempt with eye or hand

Those sacred cherries to come nigh,
Till cherry-ripe themselves do cry.

— Thomas Campion

Not, Celia, That I Juster Am

Not, Celia, that I juster am

Or better than the rest;
For I would change each hour, like them,

Were not my heart at rest.

But I am tied to very thee

By every thought I have:
Thy face I only care to see.

Thy heart I only crave.

All that in woman is adored

In thy dear self I find;
For the whole sex can but afford
The handsome and the kind.

Why then should I seek further store,

And still make love anew?
When change itself can give no more,
'Tis easy to be true.

— C. Sedley

To Lucasta, on Going to the Wars

Tell me not, Sweet, I am unkind

That from the nunnery
Of thy chaste breast and quiet mind,

To war and arms I fly.

True, a new mistress now I chase,

The first foe in the field;
And with a stronger faith embrace
A sword, a horse, a shield.

Yet this inconstancy is such
As you too shall adore;
I could not love thee, Dear, so much,
Loved I not Honour more.

— Colonel Richard Lovelace

Carpe Diem

O mistress mine, where are you roaming?
O stay and hear! your true-love's coming

That can sing both high and low;
Trip no further, pretty sweeting,
Journeys end in lovers meeting

Every wise man's son doth know.

What is love? 'tis not hereafter;
Present mirth hath present laughter;

What's to come is still unsure:
In delay there lies no plenty,
Then come kiss me, Sweet-and-twenty,

Youth's a stuff will not endure.

— William Shakespeare

Two African-American Spirituals (Mixed Together)

I Want To Be Ready Arr. Moses Hogan

Going to Pay Satan No Mind Arr. Ronald Staheli

INTERMISSION

Concert Choir

Rosalind Hall, conductor

Carrie Smolnik, assistant conductor

Two Sanctus Settings for Double Chorus

Sanctus, from Requiem Giuseppe Verdi

(1813-1901)

Holy, holy, holy, Lord God of Hosts,

Heaven and earth are full of Thy glory.

Blessed is He who comes in the name of the Lord

Sanctus, from Mass for Double Chorus Frank Martin

(1890-1974)

A Celebration of Early American Hymns

The Old Church Stephen Paulus

(b. 1949)

The old church leans near-by a well-worn road,
Upon a hill that has no grass or tree,
The winds that from the prairie now unload
The dust they bring around it fitfully.

The path that leads up to the open door,
Is worn and grayed by many toiling feet
Of us who listen to the Bible lore,
And once again the old-time hymns repeat.

And every Sabbath morning we are still
Returning to the altar waiting there.
A hush, a prayer, a pause, and voices fill
The Master's house with a triumphant air.

The old church leans and looks quite odd.
But it is beautiful to us and God

—Delia B. Vik

Shaker Songs Arr. Kevin Siegfried

Come to Zion

Come to Zion, come to Zion, sin-sick souls in sorrow bound,
Lay your cares upon the altar where true healing may be found.

Shout Alleluja, alleluja, praise resounds o'er land and sea,
All who will may come and share the glories of the jubilee.

Love Is Little

Love is little, love is low, love will make our spirit grow,
Grow in peace, grow in might, love will do the thing that's right.

Gentle Words

What the dew is to the flower, gentle words are to the soul,
And a blessing to the giver, and so dear to the receiver,
We should never with-hold.

Gentle words kindly spoken often soothe the troubled mind,
While links of love are broken by words that are unkind.

Then O, Thou gentle spirit my constant guardian be,
"Do to others" be my motto, "as I'd have them do to me."

Dismission of Great I

Go off Great I and come not nigh but quit my habitation,
But come no more within my door, corrupting my sensation.

Depart I say, flee far away, your ways no more I'll practice,
For all who try to be Great I are vicious, proud, and fractious.

We now disclaim that great big name and all our title to it,
That great big I we'll mortify, no pity will we show it.

We Must Be Meek

We must be meek, we must be pure,

Or God can never own us.

Low, low, low, low.

For Jesus saith, we must be low.

Lay Me Low

Lay me low, lay me low,
Where the Lord can find me,
Where the Lord can own me,
Where the Lord can bless me.

I Will Arise

Arr. Alice Parker

I will arise and go to Jesus,
He will embrace me in His arms.
In the arms of my dear Savior,
Oh! There are ten thousand charms.

Teach me some melodious sonnet,
Sung by flaming tongues above.
Praise the mount I'm fixed upon it,
Mount of Thy redeeming love.

Come Thou fount of every blessing,
Tune my heart to sing Thy grace,
Streams of mercy never ceasing,
Call for songs of loudest praise.

Beautiful River

Shall we gather at the river,
Where bright angel feet have trod,
With its crystal tide forever
Flowing by the throne of God?

Arr. William Hawley

chorus:

Yes, we'll gather at the river ,
The beautiful, the beautiful River.
Gather with the saints at the river,
That flows by the throne of God.

On the margin of the river,
Washing up the silver spray,
We will walk and worship ever,
All the happy golden day.

Songs of the Nativity

Ave maris Stella Edvard Grieg

(1843-1907)

Hail Star of the Sea, loving Mother of God who broke the chains of sin,
and brought light to the blind. May our lives be pure and our journey
safe, so that, seeing Jesus, we may rejoice forever.

O magnum mysterium Mack Wilberg

(b. 1955)

O great mystery and wondrous sacrament, that the animals should
see the newborn Lord lying in their manger! Blessed is the Virgin
whose womb was worthy to bear the Lord Jesus Christ. Alleluja!

0 nata lux William Mathias

(1934-1992)

0 born light of light, Jesus, Redeemer of the world. Accept the prayers
of Thy supplicants. Thou who was once clothed in flesh for our sake,

let us be Thine.

Folk Songs of the World

Dravidian Dithyramb (India) Victor Paranjoti

(1906-1967)

1 Am Flying (Taiwan) Arr. Nan-Chang Chien

(b. 1948)

1 am flying in the sky, enjoying the spectacular scenery.
The feeling is wonderful, flying wherever freely .
Half the Golden Gate Bridge is in fog.

Cable cars ring bells on the hills, ding, dong.

The Statue of Liberty stands against the wind,

Red maple leaves cover Central Park.

The royal castles of Neuschwanstein and Hoenschwangau

are still standing.

But the swan carried away the prince's dream.

Leonid scatters dust,

Showering us with a meteoric storm.

There is no end to the beautiful view;

It makes me keep flying.

I wish to be forever flying in the sky.

Samba-Lele (Brazil) Arr. Daniel R. Alfonso Jr.

Oh beautiful brunette, where do you live? How do I court you?
Step on the skirt's hem, beautiful brunette girl.

Soprano I

Brooke Bosler
Miriam-Lea Estrada
Sarah Hachtman
Sharon Harris*
Rachel McCune
April Nielsen
Julie Rappleye
Megan Richey
Shaunel Watts

Concert Choir Fall 2004

Sorpano II Alto I

Heidi Butler
Kalli Hansen
Deanna Lunt
Angela Nelson
Hillary Neubert
Cathy Oldroyd
Kelsey Roth
Lachelle Smith
Suzzane Stephensen
Holly Tippetts
Rebecca Whale

Natalie Cope
Courtney Cross
Kira Famsworth
Amy Fitzgerald
Lani Hyer
Heather Johnson
Emily Kinghorn
Ann Kurth
Melodie Lyon
Marie McDonald
Brenda Norton
Ryann Payne
Emily Rasmussen
Jennifer Stephenson

Alto II

Jessica Anderson
Bridgette Brinkerhoff
Allyson Edvalson
Rachael Garrett
Kathryn Jensen
Hannah Miller*
Angela Permann
Miriam Pollard
SharleenRoberts
Bethany Smith
Christy Smith
Heidi Spann
Tiffany Stoddard
Lillian Talmage

Tenor I

Tenor II

Baritone

Bass

Luke Bahr
Ben Castleton
Joel Crane
James Duncan
Ryan Hancock
Chris Hathaway
Matthew Martin
Evan Moss
Forrest Pixton
Jacob Rogers

Kevin Bailey
Jonathan Bullough
Ellis Elkins
Anthony Gardner
Samuel Glanzer
Eric Hanson
Stephen Holden
Michael Hull
William Mangum
Peter May
James Robbins
David Segrera
Michael Sharp*
Garin Wood

Daniel Chappell
Andrew Davis
Vaughn Harris
Aaron Hatch
Todd Home
Marc Reynolds
Michael Secrist
Carrie Smolnik*
James Van Heel
Mark Walus
Derek Whitney

Andrew Bankhead
Curtis Goodman
Scott Hillstrom
Christopher Jewkes
Darin Johnston
J. Bradley Layton
Peter Merrill
Ephraim Olson
Tyler Rand
Daniel Robertson
Daniel Silva
Brian Justin Smith
Devin Spann

♦section leaders

Ben Robbins, president

Katy Jensen, social chair

Christy Smith, public relations chair

Sharleen Roberts, historical chair

Tyler Rands, chaplain

Andrew Davis, treasurer

Deanna Lunt, Kevin Bailey, dress chairs

April Nielsen, Lillian Talmage, Michael Hull,

Michael Secrist, attendance secretaries

Soprano

Rachel Cox
Jennie Litster
Catherine Johnson
Robyn Malczyk
Lindsay Oldroyd*
Alena Starr
Emily Workman
Laura Workman*

BYU Singers Fall 2004

Alto Tenor

Sarah Astle
Ashley Bair
Nadia England
Kiely Fisher
Taryn Heller
Heather McMurray*
Charity Murdock
Elizabeth Olmo
Leanna Pink
Mele Santos
Christina Scow*
Elaina Wettlaufer
Jill Winters

BJCox

Joel Gillespie*
Carl Pantle
Juan Pereira
Sterling Porter
Hyrum Weibell
Andrew Wheelwri^it*
Tim Workman

Bass

Thomas Anderson
John Bonner
Ben Boster*
Matthew Bryner
Jacob Butler
Jacob Malczyk
Scott Moore
Bryson Mortensen*
Rick Murdock
Devin Olsen
Henry Patterson
Brent Rogers
Brent Wells

* section leaders

BJ and Rachel Cox, presidents

Jacob and Robyn Malczyk, vice presidents

Catherine Johnson, secretary

Brent Rogers, treasurer

Alena Starr, historian chair

Taryn Heller and Jacob Butler, dress chairs

Liz Olmo and Juan Pereira, social chairs

Mele Santos, birthdays

John Bonner, publicity

Celebration of Christmas

Friday, 3 December, 7:30 p.m.

Saturday, 4 December, 3:00 p.m. and 7:30 p.m.

de Jong Concert Hall

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Daniel Henderson

Trumpet

Assisted by
Robin Hancock, piano
Brian Hall, piano
Ryan Crandall, bass

Student of
David Brown

Required for

Bachelor of Music Degree

with Emphasis in Performance

1:00 p.m.

13 November 2004
Museum of Art Auditorium
Brigham Young University

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 33rd performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Concert Etude, op. 49

Aleksandr Fyodorovich Gedike

(1877-1957)

Sonata for Trumpet and Piano

Robin Hancock, piano

Eric Ewazen

INTERMISSION

Wombat Blues

Daniel Henderson

I Love You

Cole Porter

Struttin' with Some Barbeque Lil Hardin/Louis Armstrong

Brian Hall, piano
Ryan Crandall, bass

performances .byu. edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Audrey Vivian

Piano

Student of
Scott Holden

Required for

Master of Music Degree

with Emphasis in Performance

1:30 p.m.

13 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 34th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Sonata in G Minor, K. 426 Domenico Scarlatti

Sonata in G Major, K. 412 (1685-1757)

Sonata No. 2 in G Minor, op. 22 Robert Schumann

So rasch wie moglich (1810-1856)

Andantino: Getragen
Scherzo: Sehr rasch und markiert
Rondo: Presto

Ballade No. 4 in F Minor, op. 52 Fryderyk Franciszek Chopin

(1810-1849)

Sarcasms, op. 1 7 Sergey Prokofiev

Tempestoso (1891-1953)

Allegro Rubato
Allegro precipitato
Smanioso
Precipitosissimo- Andantino

Toccatina, op. 36 Nikolai Kapustin

(b. 1937)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
Performing Arts Series

presents

Trio Indiana

James Campbell
B-flat clarinet

Eli Eban

E-flat, C, and B-flat clarinet

Howard Klug

B-flat, and Bass clarinet

7:30 p.m.

13 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Trio Indiana was formed in 1990 as James Campbell,
Eli Eban, and Howard Klug, came to the Indiana University
School of Music as professors of clarinet. With their
diverse musical backgrounds and experiences (Campbell/
Canada, Eban/Israel, Klug/US), these three col-
leagues quickly established an international clarinet pro-
gram which relies on shared master classes, team teach-
ing, and professional collaboration to create a nur-
turing, yet highly competitive learning environment.
As an adjunct to this teaching program, Trio
Indiana was established to demonstrate the versati-
lity of the clarinet family and the great stylistic diversity of
its repertoire. Trio Indiana has been active in commissioning
contemporary composers such as Alfred Prinz, Frederick Fox,
Michael Kibbe, Norman Heim, Eric Mandat, and Bernhard
Heiden to write for various combinations of clarinets. It regu-
larly presents concerts and master classes throughout the US,
and has two commercial CD releases (Crystal Records CD734,
CD 736).

Program

Trio in A Minor, op. 8, no. 2 Jacques Bouffil

Moderato
Menuet
Andante varie
Allegro agitato

Divertissement (1954) Jean Francaix

Prelude (1912-1997)

Allegretto assai
Elegie
Scherzo

Hasana Tanz ( 1 997) David Snow

INTERMISSION

Sonata in E-flat Major, BWV 530

Vivace

Lento

Allegro

Johann Sebastian Bach
(1685-1750)
Arr. H. Klug

Dances for Three
Prologue
Minuet
Tango
Gigue
Finale

Peter Schickele
(b. 1935)

Shtetl Tanzen (2003)
Part One
Part Two

Michael Kibbe
(b. 1946)

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

• Please help us maintain a more formal atmosphere
appropriate in performances sponsored by the School of
Music. Shouting to performers, whistling, or talking dur-
ing the performance is inappropriate here.

• Thank you for not bringing babies or children too
young to enjoy this concert.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Will Kimball

Trombone

Assisted by

Robin Hancock, piano
Larry Zalkind, trombone
James Nova, trombone
Russell Mckinney, bass trombone

Faculty Artist Recital

7:30 p.m.

16 November 2004
Madsen Recital Hall
Hams Fine Arts Center

This musical event is the 35th performance sponsored by the
BYU School of Music for the 2004-2005 season.

PROGRAM

Symphony for Trombone Ernest Bloch

Maestoso (1880-1959)

Agitato

Allegro deciso

Three Preludes George Gershwin

Allegro ben ritmato e deciso ( 1 898- 1 959)

Andante con moto e poco rubato Arr. Will Kimball
Allegro ben ritmato e deciso

INTERMISSION

Subadobe Fredrik Hogberg

(b. 1927)

Concerto for Alto Trombone Leopold Mozart

Adagio (1719-1787)

Menuetto

Allegro

Trombone Quartet No. 1 Anthony Plog

Lento (b. 1947)

Allegro
Adagio
Allegro

The Brigham Young University School of Music welcomes you to
this event. We are grateful for your attendance and support. So that
everyone can enjoy this performance, we ask for your attention to
several issues:

• Please take a moment to turn off your cellular
phone, pager, or any audio alerts. Since tonight s
concert is being recorded, we ask you to be as quiet
as possible during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate inter-
vals. Entire works or groupings of pieces will usually
be performed without interruption.

• If you must leave during the performance, please wait
for applause to do so.

• Please help us maintain a more formal atmosphere
appropriate in performances sponsored by the School
of Music. Shouting to performers, whistling, or talk-
ing during the performance is inappropriate here.

• Thank you for not bringing babies or children too
young to enjoy this concert.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Clarinet Studio Recital

Students of
Jaren Hinckley

5:30 p.m.

17 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Please take a moment to turn off your cellular phone, pager, or any audio alerts.
Since tonight's concert is being recorded, we ask you to be as quiet as
possible during the performance.

Please notice the organization of the program so that your applause will be offered
at appropriate intervals. Entire works or groupings of pieces will usually
be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Thank you for not bringing babies or children too young to enjoy this concert.

This musical event is the 36th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Sonatina for E-flat clarinet and piano, op. 38 Easley Blackwood

Allegro con brio (b. 1933)

Daniel Bailey, E-flat clarinet
Kurt Hansen, piano

Elegy Frank Bencriscutto

Elizabeth Criswell, clarinet
Annalise Hatch, piano

Concerto No. 1 Carl Maria von Weber

Allegretto (1786-1826)

Jason Allphin, clarinet
Chad Haynes, piano

Five Pieces for Solo Clarinet Gordon Jacob

Preamble (1895-1984)

Waltz

Homage to J. S. B.
Soliloquy
Scherzo and Trio

Peter Shirts, clarinet

Church Sonata No. 1, K. 67 Wolfgang Amadeus Mozart

Andante (1756-1791)

Janelle Kane, clarinet
Amalie Wickes, piano

Wings Joan Tower

(b. 1938)
Michael Whatcott, clarinet

Introduction, Theme and Variations Gioacchino Rossini

(b. 1938)
Susan Croft, clarinet
Amalie Wickes, piano

Have You Met Miss Jones? Richard Rodgers

(1902-1979)
David Kjar, clarinet
Regan Brough, bass

perfomiances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine I
School of Music

College of Fine Arts and Communications

presents

Flute Choir

Emily Outhier, conductor

8:00 p.m.

17 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Flute Choir

Donna Andrus

Kelli Arnesen

Megan Blodgett

Emily Bo wen

Brandy Butler

Erin Cunningham

Annie Elmer

Maren Jensen

Missy Johnson

Amy Jolley

Chelsey Keeler

Melissa Landeen

Rachel Moises

Ali Newton
Anna 01 instead
Annie Rosevear

Fawn Taylor

Shelley Thacker

Debbie Thompson

Suzanne Walton

This musical event is the 37th performance sponsored by the
BYU School of Music tor the 2004 2005 season.

Program

Overture to The Wasps Ralph Vaughan Williams

(1872-1958)
Arr. Shaul Ben-Meir

Quartett F-Dur, op. 88 Anton Bemhard Fiirstenau

Menuetto (1792-1852)

Minuet and Dance of the Blessed Spirits Christoph Willibald Ritter von Gluck

(1714-1787)

Ait. Dorli McWayne

Flutes en Vancances Jacques Casterede

Flutes Joyeuses (b. 1 926)

Arabesque I Claude Debussy

(1862-1918)
Ait. Kris Dorsey

Rumanian Folk Dances Bela Bartok

JocCuBata (1881-1945)

Braul Ait. Nancy Nourse

Pe Loc
Buciumeana
Poarga Romaneasca
Maruntel

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

Please help us maintain a more formal atmosphere
appropriate in performances sponsored by the School of
Music. Shouting to performers, whistling, or talking dur-
ing the performance is inappropriate here.

Thank you for not bringing babies or children too
young to enjoy this concert.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Philharmonic Orchestra

Kory Katseanes, conductor

7:30 p.m.

18 November 2004
deJong Concert Hall
Harris Fine Arts Center

Philharmonic Orchestra

Violin I

Viola

Harp

Horn

Kate Homer

Leslie Richards

Cathy Knoles

Robbie Davis

Ben Chan

Jessica Ekstrom

Carolyn Berg

Jonathon Johnson

Aaron Ashton

Carrie Maxwell

Nick Dudoich

Mindy Davis

Andrew Snow

Flute

Dan Omer

Fidel Perez

Eric Lew

Emily Outhier

Kara Tullis

Shaundra Culatta

Phillip Scherer

Nadine Watson

Yeagi Kim

Trent Frazer

Sarah Kerns

Trumpet

Abby Hill

Angela Miller

Jason Bergman

John Kovalenko

Kristen Orgill

Piccolo

Randy Lee

Tamra Rhodes

Gina Roper

Kristen Fry

Jeremy Goodsen

Ashley Kunz

Lisa Williams

Lexye Lund

Emily Moore

Oboe

Trombone

Sarah Black

Trevor Matthews

Carly Jackson

Adam Bean

Megan Zabriskie

Brandon Matthews

Dani Jensen

Daniel Johansen

Carrie Rosevear

Julia Hobbs

Dan Barrett

Megan Jenson

Cello

Sara Johansen

Scott Lesser

English Horn

Tuba

Jessica Roper

Katie Anderson
Kayson Brown

Heather Lyman

Joe Jensen

Violin II

Adam Crandell

Clarinet

Percussion

Jennie Tilton

Sharon Meilstrup

Erin Layton

Kandis Bender

Sara Adams

Rachel Harlos

Andrea Davis

Matt Nielsen

Julie Beistline

Michelle Johnson

Rachel Jones

Rob Sowby
Emil Pohlig

Mary Julia Wilson

Jennifer Chandler

Saralyn Benson

Tom Powell

Bass/E-flat Clarinet

Lisa Reeder

Sam Inouye

Bryn Huntington

Carie Sue Green

Ryan Seamons

Jessica Jenson

Skye Smith

Bassoon

Megan Lindsay

Jorge Torres

Sabrina Steed

Bass

Jessica Judd

Clary Malmstrom

Trevor Reed

Abby Anderson

Sara Hynes

Regan Brough

Cassie Proffitt

Dennis Contreras

Contrabassoon

Melanie Hogg

Liz Rhodes

Erin Tippets

Amanda Talbot

Jeremy Bowen

Amber Overton

Spencer Petersen
Kevin Swan
Steve Liening

Program

Leonore Overture No. 3 Ludwig van Beethoven

(1770-1827)

Till Eulenspiegels lustige Streiche Richard Strauss

(1864^1949)

INTERMISSION

Symphony No. 1 in C Minor, op. 68 Johannes Brahms

Un poco sotenuto: Allegro ( 1 833-1 897)

Andante sostenuto
Un poco Allegretto e grazioso
Adagio: Allegro ma non troppo, ma con brio

The Brigham Young University School of Music welcomes you to
this event. We are grateful for your attendance and support. So that
everyone can enjoy this performance, we ask for your attention to
several issues:

• Please take a moment to turn off your cellular
phone, pager, or any audio alerts. Since tonight's
concert is being recorded, we ask you to be as
quiet as possible during the performance.

• Please notice the organization of the program so
that your applause will be offered at appropriate
intervals. Entire works or groupings of pieces will
usually be performed without interruption.

• If you must leave during the performance, please
wait for applause to do so.

• Please help us maintain a more formal atmosphere
appropriate in performances sponsored by the
School of Music. Shouting to performers, whis-
tling, or talking during the performance is inappro-
priate here.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 38th performance sponsored by the
BYU School of Music for the 2004-2005 season.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Heather Marlene Johnson

Soprano

Student of
Clayne Robison

Assisted by

Christina Dayton, piano

Required for

Bachelor of Music Degree

with Emphasis in Performance

7:30 p.m.

18 November 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are gratefiil for your attendance and support. So that everyone
can enjoy tins performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 41st performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Music for a While, from Oedipus
What can we poor females do

Henry Purcell
(1659-1695)

D'une Prison
Villanelle
Claire de lune

Reynaldo Hahn
(1875-1947)

Hector Berlioz

(1803-1869)

Gabriel Faure

(1845-1924)

In quelle trine morbide, from Manon Lescant

Giacomo Puccini
(1858-1924)

Selections from Morike-Lieder
Auf ein altes Bild
Begegnung
Verborgenheit

Hugo Wolf
(1860-1903)

LaRegata Veneziana

Anzoleta avanti la regata
Anzoleta co passa la regata
Anzoleta dopo la regata

Gioachino Rossini
(1792-1868)

Bring a Torch, Jeanette Isabella
In the Bleak Midwinter
Gesu Bambino

Arr. David Fletcher

(b. 1958)

Mack Wilberg

(b. 1955)

Pietro A. Yon

(1886-1943)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Shirley Jacob

Piano

Student of
Irene Peery-Fox

Required for

Bachelor of Music Degree

with Emphasis in Performance

9:30 p.m.

18 November 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to
this event. We are grateful for your attendance and support. So that
everyone can enjoy this performance, we ask for your attention to
several issues:

• Please take a moment to turn off your cellular
phone, pager, or any audio alerts. Since tonight's
concert is being recorded, we ask you to be as
quiet as possible during the performance.

• Please notice the organization of the program so
that your applause will be offered at appropriate
intervals. Entire works or groupings of pieces will
usually be performed without interruption.

If you must leave during the performance, please
wait for applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 39th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Toccata, op. 1 1 Sergey Prokofiev

(1891-1953)

Balladen, op. 10 Johannes Brahms

Andante— Allegro ( 1 833- 1 897)

Andante con moto — Piu lento

Concerto nach italianischem Gusto (Italian Concerto) Johann Sebastian Bach

[Without tempo marking] ( 1 685 - 1750)
Andante
Presto

Six etudes d'execution transcendante d'apres Paganini Franz Liszt

(1811-1886)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Greg Duckwitz

Media Music

Required for

Bachelor of Music Degree

with Emphasis in Media Music

1:30 p.m.

20 November 2004

Karl G. Maeser Auditorium

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 40th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Film and TV Music

Baptists at Our Barbeque, score excerpt

Rain, score excerpt

Canyonlands Medical Supply, spot music (aired locally)

Bullysports, spot music (aired on ESPN2)

Sound Engineering

Baptists at Our Barebeque, feature song in the motion picture.
Song for Enya by Paul O'Connor

Songwriting
Ugly

Way Out There
Will You Go Out with Me? (The BYU Song)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Kaila Lifferth
Soprano

Junior Recital
and

Eric Hanson
Tenor

Sophomore Recital

Assisted by

Gerta Grimci, piano

Students of Clayne Robison

5:30 p.m.

23 November 2004
Madsen Recital Hall
Harris Fine Arts Center

Come all ye songsters

PROGRAM

Kaila Lifferth

Henry Purcell
(1659-1695)

O del mio dolce ardor (O My Beloved) Christoph Willibald von Gluck

(1714-1787)
Eric Hanson

Nuit d'etoiles (Night of Stars)

Plaisir d'amour (The Pleasure of Love)

Gretchen am Spinnrade
(Gretchen at the Spinning-wheel)

Die Forelle (The Trout)

Claude Debussy
(1862-1918)

Jonhann-Paul Martini
(1741-1816)

Franz Schubert

(1797-1828)

Kaila Lifferth

Wie Melodien zieht es mir

(My thoughts like haunting music)

Eric Hanson

Johannes Brahms
(1833-1897)

The Lamb

Theodore Chanler
(1902-1961)

Agnus Dei (Lamb of God)

Kaila Lifferth

Georges Bizet
(1838-1875)

More Holiness Give Me

Philip Paul Bliss

(1838-1876)

Ait. Ronald Staheli

Down Bye Street

A Little China Figure

Eric Hanson

Kaila Lifferth

Sidney Homer
(1864-1953)

Franco Leoni
(1864-1949)

When I Have Sung My Songs

Una furtiva lagrima (A furtive tear)

Eric Hanson

Ernest Charles
(1895-1984)

Gaetano Donizetti
(1797-1848)

La Canzone di Doretta (Doretta's Song)
from La rondine

Kaila Lifferth

Giacomo Puccini
(1858-1924)

Duet No. 9, Rosalinda and Eisenstein,
from Die Fledermaus (The Bat)

Kaila Lifferth
Eric Hanson

Johann Strauss
(1825-1899)

This musical event is the 43rd performance sponsored by the
BYU School of Music for the 2004-2005 season.

The Brigham Young University School of Music welcomes you to this event. We are grate-
ful for your attendance and support. So that everyone can enjoy this performance, we ask
for your attention to several issues:

Please take a moment to rum off your cellular phone, pager, or any audio
alerts. Since tonight's concert is being recorded, we ask you to be as
quiet as possible during the performance.

Please notice the organization of the program so that your applause will
be offered at appropriate intervals. Entire works or groupings of pieces
will usually be performed without interruption.

If you must leave during the performance, please wait for applause to do so.

Please help us maintain a more formal atmosphere appropriate in per-
formances sponsored by the School of Music. Shouting to performers,
whistling, or talking during the performance is inappropriate here.

Thank you for not bringing babies or children too young to enjoy this
concert.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Julia Dawson

Piano

Student of
Jeffrey Shumway

Required for

Bachelor of Music Degree

with Emphasis in Performance

7:30 p.m.

23 November 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 43rd performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Sonata in A Major, K. 1 13 Domenico Scarlatti

Sonata in B Minor, K. 87 (1685-1757)

Sonata Tragica, op. 45 Edward MacDowell

Largo maestoso (1860-1908)

Molto allegro, vivace
Largo con maesta
Allegro eroico

Selections from Le tombeau de Couperin: Suite pour le Piano Maurice Ravel
Prelude (1875-1937)

Forlane
Rigaudon
Menuet

Ballade No. 4 in F Minor, op. 52 Fryderyk Franciszek Chopin

(1810-1849)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Rebecca Perry

Piano

Student of
Irene Peery-Fox

Required for

Bachelor of Music Degree

with Emphasis in Performance

9:30 p.m.

23 November 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 44th performance sponsored by the
BYU School of Music for the 2004 2005 season.

Program

Sonata in G Major, L. 487

Domenico Scarlatti
(1685-1757)

Sonata No. 2 in D Minor, op. 14
Allegro, ma non troppo
Scherzo: Allegro marcato
Andante
Vivace

Sergey Prokofiev
(1891-1953)

Sonata No. 15 in D Major, op. 28
Allegro
Andante
Allegro vivace
Rondo: Allegro, ma non troppo

Ludwig van Beethoven

(1770-1827)

Etude tableaux in F-sharp Minor, op. 39, no. 3

Serge Rachmaninoff

(1873-1943)

Totentanz (Danse Macabre)

Kurt Hansen, second piano

Franz Liszt
(1811-1886)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Lawrence Green

Guitar

Faculty Artist Recital

7:30 p.m.

30 November 2004

Auditorium

Karl J. Maeser Building

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 45th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Torre Bermeja (Serenata)

Isaac Albeniz
(1860-1909)

Danzas Espanolas
Playera

Enrique Granados
(1867-1916)

A Child Is Born in Bethlehem

Traditional
Arr. David Sargent

Suite Castellana
Fandanguillo
Arada
Danza

Federico Moreno-Torroba
(1891-1982)

Sons de Carilhoes (Mexixe-Choro)

Joao Guimaraes

Variations on the hymn tune, Kingsfold

Lawrence Green
(b. 1954)

Holiday for Strings

David Rose

(1910-1990)

Arr. Lawrence Green

Taquito Militar

Mariano Mores

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Symphony Orchestra

Eric Hansen, conductor
Monte Belknap, violin

7:30 p.m.

30 November 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 46th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Les Preludes, Symphonic Poem No. 3

Franz Liszt
(1811-1886)

Concerto No. 1 in D Major
Allegro maestoso
Adagio
Allegro spirituoso

Monte Belknap, violin

Nicolo Paganini
(1782-1840)

INTERMISSION

Symphony No. 8
Allegro con brio
Adagio

Allegretto grazioso
Allegro ma non troppo

Antonin Dvorak
(1841-1904)

Symphony Orchestra Fall 2004

Violin I

Viola

Flute

Horn

*Heather Chan

*Paul Spencer

*Marti Thomson

*Clinton Jones

AColin Ludlow

Cynthia Fisher

Jenni Nealon

James Cavan

Caitlin Giauque

Michelle Newbold

Erin Brooksby

Ben Clement

Ashley McKell

Rachel Wagers

Christie Sue Hendrichsen

Smart Maxfleld

Kimberly Wright

Oboe

Emily Bier

Rachel Risenmay

Shauntae Perkins

*Becca Wilson

Holly Taylor

Jackie Springgay

Monica-Sophie Steig

Trumpet

Anne Zobell

Bonnie Jean

Jami Frogley

*Dan Henderson

Chelsea Peterson

Schnebly

Evan Price

Larissa Olson

Philip Pare

Clarinet

Kyle Merkeley

Cassandra Sutton

(auditing)

* David Kjan

Carrie Klestrup

Melody Thatcher

Trombone

Meliah Lindsay

Cello

Peter Shirts

* Robert Lacey

Derek Frei

* Scott Torrie

Spencer Durland

Lia Farnsworth

Sun Woo Choi

Bassoon

Chris Brown

Jenifer Kirby

Spencer Cahoon

*Jennifer Skarda

Brooke Froelich

Sydney Morris

Darcy Whetten

Tuba

Mike Laudie

Owen Johnson
Julie Huang

Nathan Webster

Violin II

Mindy Burkett

Percussion

*Jonathan Heaton

Meghan deWitt

*Chris Dupuis

ACandice Holt

Charlotte

Alex Harris

Ashley Bruya

Hendriksen

Andrew Tolman

Bryan Heaton

Kristina Hoffman

Amanda LeSueur

Erica Swain

Piano

Ami Frost

Chanell Myers

Bass

Gerta Grimci

Jill Kiriyama

Ross Boothe

Anne-Marie Wilde

Ben Tobey

Ashley Hansen

Jess Carter

Joseph Sin

Eva Wilcox

Jamison Metzger

Chandra Trejo

Harp

Kellie Christensen

Malerie Bates

Tiffany Taylor

Malorie Naylor

Kimberley Rogers

*principal

Aassistant principal

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Symphonic Band

Donald Peterson, conductor

Wind Symphony

David Blackinton, conductor

7:30 p.m.
1 December 2004
deJong Concert Hall
Hams Fine Arts Center

Piccolo
Melecce Cheal

Flute
Sherry Lowry
Jennie Harris
Kayla Barnes
Erin Speight
Rose -Ellen Wood
Chrissy Stornetta
Kate Holt
Annie Elmer

Oboe

Megan Beardall
Lizzy Nelson
Amber lee Truman
Morgan Busch

Bassoon
Abby Anderson
Megan Brown
Laurel Sehmutz
Michelle Peterson

Clarinet
1 st clarinet
Ruth Hincklev

Symphonic Band

Raehelle Read
Jaeob Edvelsen

Flute
Sarah Kerns
Aiieia Christensen
Kacey Craft

Piccolo

Amy Honka

Oboe
Alyssa Christianson
Julia Hobbs

English Horn
Julia Hobbs

Bassoon
Jorge Torres
Erin Tippets

Clarinet
Susan Croft
Michael Whatcott
Erin Layton

Rachel Jones

Shannon Epps
Tandi Hoffman
Andrea Zundel
2nd clarinet

Heather Hagedor
Jory Wood is
Elizabeth Criswel
Janelle Kane
Katie Mack
Sara Conger
3rd clarinet

Ariel Wootan

Dani Bahr
Amanda Cahoon
Kirsti Burr
Kaci Campbell

E-flat Clarinet

Daniel Bailey-
Bass Clarinet

Keve By bee

Contra Bass Clarinet
Richard Leake

AltoSaxophone
Jeff Broadbent
Chris Black

Tenor Saxophone
Blake Wilkins
Karl Rosengren

Baritone Saxophone
Patrick Summerhays

Horn
Melissa Pratt
Liz Whitehead
Jon White
Liz Coon
Rene Barlow
Katie Cannon
David Whitney
Robert Root

Trumpet

Erin Cox
Jim Whitehead
Courtney Hohl
Tyler Rencher
Rochelle Sprague
Sarah Wilcox
Alan (Taylor) Kelley
Brad Packer

Wind Symphony

Bryn Huntington
Andrea Davis
Melody Thatcher
Leslie Wilson
Stephanie Allied
Jason Allphin

E-flat Clarinet
Erin Layton

Bass Clarinet
Peter Shirts
Ryan Alder

Contra Bass Clarinet
Christopher Tailzie

Alto Saxophone
Megan Fisher
Rick Nobbe

Tenor Saxophone

Chad Ostcrmiller

Baritone Saxophone
Conrad Allen

Horn
Nicholas Dudoich
Kara Tullis
Claire Barker
Jenny Jo Cox
Jonathan Johnson

Comet
Seretta Hart
Michelle
Mingledorff
Levi Richins
Nathan Sheranian

Trumpet

Jered Hear Id
Mat Foley

Trombone

Alisha Ard
Joe Hansen

Trombone
Michelle Flowers
Patience Merrill
Dallen Christenson
Tom LeBaron
Sean Young

Euphonium
Robert Lacey
Sizuka Matsuzaki
Brek Mangel son
Jannell Peterson

Tuba
Lane Johnson
Eric Smith
Savannah Wheeler
Amy Biggs

Percussion
Jeff Holt
Daniel Adams
Jeffrey Bartholome
Andrew Forbes
Elise Crawford

Paul Hannibal
E)avid Blackner

Euphonium
Joseph Belliston
Scott Gemmell

Tuba
Matt McDonell

Tawana Hatfield

String Bass
Tim Krumwiede

Percussion
Celeste Cope
Jared Morris
Jenne West
Andrew Merrell
J P Andersen

Program

Symphonic Band

Second Suite in F
March

Song without words
Song of the Blacksmith
Fantasia on the 'Dargason'

Gustav Hoist

(1874 1934)
Edited bv Colin Matthews

Third Suite

A Christmas Festival

Canticle: All Creatures of Our God and King

Chad Jenks, organ

Robert E. Jager
(b. 1934)

Leroy Anderson

(1908 1975)

Claude T. Smith
(1932 1987)

Wind Symphony

Overture for Band

John Heins

Liebestod

Richard Wagner

(1813 1883)

Am Glen C. Bainum

Marche Militaire Francaise

Transcribed bv Mark H. Hindslcv

Camille Saint-Saens
(1835 1921)

The Twelve Davs of Christmas

Jerry H. Bilik

" (b. 1933)

La Gazza Ladra (The Thievish Magpie)
Transcribed by Lucien Cailliet

Gioachino Rossini

(1792 1868)

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 49th performance sponsored by the
BYU School of Music for the 2004-2005 season.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Aits and Communications
School of Music

presents

String Chamber Night

Coached by

Claudine Bigelow, violin
Marcel Bowman, viola
Eric Hansen, contra bass
Julie Bevan Reed, violoncello

7:30 p.m.
1 December 2004
Madsen Recital Hall
Harris Fine Arts Center

Program

Klavierquintett, op. 44

Allegro brillante

Sara Johansen, violin
Sarah Inouye violin

Eric Lew, viola
Sam Inouye, cello

Cami Johnson, piano

String Quartet in E-flat Major, op. 51
Finale: Allegro vivace

Sabrina Steed, violin

Clary Malmstrom, violin

Brandon Matthews, viola

Tom Powell cello

Quatuor pour 2 Violons, Alto et Violoncello
Assez vif-Tres Rythme

Mindy-Anne Davis, violin

Megan Zabriskie, violin

Adam Crandell, cello

Andrew Snow, viola

Robert Schumann
(1810-1856)

Antonin Dvorak

(1841-1904)

Maurice Ravel

(1875-1937)

String Quartet in B-flat Major, op. 130
Adgio ma non troppo— -Allegro

Ludwig van Beethoven

(1770-1827)

Came Rosevear, violin
Sara Adams, violin
Angela Miller, viola

Michelle Johnson, cello

String Quartet No. 2 in D Major
Allegro

Shaudra Culatta, violin

Ashley Kunz, violin

Amber Overton, viola

Jennifer Chandler, cello

Alexander Borodin

(1833 1887)

Piano Quintet, op. 34
Allegro non troppo

Lexye Lund, violin

Sara Black, violin

Rachel Harlos, cello

Trent Frazer, viola

Stephanie Talbot, piano

Johannes Brahms

(1833-1897)

Trio in C Minor, op. 9 no. 3
Allegro con brio

Carrie Sue Green, violin

Caroline Margaret Maxwell, viola

Sharon Meilstrup, cello

Ludvvig van Beethoven

Sonata da Camera, op. 48
Finale: Allegretto giocoso

Gabriel Pierne
(1863 1937)

Katie Anderson, cello

Marissa Erekson, picmo

Emilv Outhier, flute

String Quartet in G Minor, op. 10
Animc et tics decide

Claude Debussy
(1862 1918)

Benjamin Chan, violin

Kate Homer, violin

Leslie Jean Richards, viola

Scott Thomas Lesser, cello

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
vounu to enjoy this concert.

This musical event is the 48lh performance sponsored by the
BYU School of Music for the 2004-2005 season.

perfonnances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Amanda Lee

Piano

Student of
Richard Anderson

Required for
Bachelor of I
with Emphasis in Performance

Bachelor of Music Degree

9:30 p.m.
1 December 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 47th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Prelude and Fugue in E Major. BWV 878

Johann Sebastian Bach

(1685 1750)

Sonata in C Major, K. 330
Allegro moderate)
Andante cantabiie
Allegretto

Wolfgang Amadeus Mozart

(1756 1791)

Nocturne in F-sharp Major, op. 15 no. 2
Mazurka No. 1 in B-flat Major, op. 7
Mazurka No. 2 in A Minor, op. 7

Fryderyk Franciszek Chopin
(1810 1849)

Butterfly Lovers

Chinese folk tune
Ait. Sun Yi Lin

Prelude No. 6 in B Minor, op. 34
Prelude No. 10 in C-sharp Minor, op. 34
Prelude No. 16 in B-flat Minor, op. 34

Dmitry Shostakovich
(1906-1975)

Preludes for Piano

Allegro ben ritmato e deciso
Andante con moto e poco rubato
Allegro ben ritmato e deciso

George Gershwin
(1898-1937)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Jazz Lab Band

Daniel Henderson, director

7:30 p.m.
2 December 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 50th performance sponsored by the
BYU School of Music for the 2004^2005 season.

Program

Indian Lady
Let's Get Together
Lullaby for Jolie

Don Ellis

Arr. Van Alexander

Quincy Jones

Your Father's Moustache

Shiny Stockings

Bill Harris
Woody Herman

Frank Foster

Hello and Goodbye

Bob Brookmeyer

Afro-Cuban Lullaby

Christmas Time in Dante's Inferno

Traditional Cuban
Arr. Daniel Henderson

Daniel Henderson

Other selections as announced

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Ashley Kunz
violin

Assisted by
Sarah Kunz, harp
Jayne Galloway, piano

Student of
Monte Belknap

Required for

Bachelor of Music Degree

with Emphasis in Performance

4:30 p.m.

3 December 2004

Auditorium

Maeser Building

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 5 1 st performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Partita No. 3 in E Major for Solo Violin Johann Sebastian Bach

Preludio (1685-1750)

Gavotte en Rondeau
Bourree
Giga

Sonata No. 1 in G Major for Violin and Piano Johannes Brahms

Vivace ma non troppo (1833-1 897)

Adagio
Allegro molto moderato

Fantaisie for Violin and Harp Camille Saint-Saens

(1835-1921)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Jared Oaks, piano

Student of
Richard Anderson

Required for

Bachelor of Music Degree

with Emphasis in Perfonnance

4:30 p.m.

3 December 2004

Auditorium

Museum of Art

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 51st performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

English Suite II in A Minor, BWV 807 Johann Sebastian Bach

Prelude (1685-1750)

Allemande
Courante
Sarabande
Bourree I
Bourree II
Gigue

Sonata No. 3 in C Major, op. 2, no. 3 Ludwig van Beethoven

Allegro con brio (1770-1827)

Adagio

Scherzo: Allegro
Allegro assai

Etiiden in Form von Variationen, op. 13, "Symphonic Etudes" Robert Schumann
Theme (1810-1856)

Variation I
Variation II
Etude m
Variation HI
Variation IV
Variation V
Variation VI
Variation VH
Etude DC
Variation VTII
Variation DC
Finale

Sonata No. 3, op. 28 Sergey Prokofiev

(1891-1953)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Jazz Combos

Jay Lawrence, director
Steve LindemaiL director

7:30 p.m.
3 December 2004
Madsen Recital Hall
Harris Fine Arts Center

Program

Doin' Something

Soul Live

Bombo de Corazon
Arr. Josh Lee

Eddie Palmieri

Blue Mambo

Josh Lee

Ballad Z

4 on 6

Arr. Josh Lee

Section 5

Josh Lee, guitar

Andrew Merrell, drums

Mark Christensen, bass

Levi Richins, trumpet

Randy Lee, trumpet

Pat Metheny
Wes Montgomery

Equinox

John Coltrane

Wave
E-251

Antonio Carlos Jobim
Rob Bennion

Cougarate

Jay Lawrence Combo

Brandon Farmer, trumpet

Rob Bennion, saxophone

Dan Smith, guitar

John Wilson, piano

Ryan Crandall, bass

Andrew Gessel, drums

Ryan Crandall

Santo Domingo

Mark Levine

Cuidata Compay

Eddie Palmieri

Salsa Combo

Dave Terran, trumpet

Rob Bennion, saxophone

John Wilson, piano

Josh Gishi, bass

Mike Weber, Trevor Goss, Andrew Merrell, percussion

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 65th performance sponsored by the
BYU School of Music for the 2004-2005 season.
performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Celebration of
Christmas 2004

Rosalind Hall, conductor
Jean Applonie, conductor
Ronald Staheli, conductor
Kory Katseanes, conductor

7:30 p.m.

3-4 December 2004

3:00 p.m.

4 December 2004

de Jong Concert Hall

Harris Fine Arts Center

Program

O Come, O Come, Immanuel Arr. Timothy Bandy

Combined Choirs

Megan Fisher, soprano saxophone

Sanctus, from Mass for Double Chorus Frank Martin

Holy, holy, holy, Lord God of Hosts.

Blessed is He who comes in the name of the Lord.
O Little Town of Bethlehem Arr. Stephen Paulus

Swedish Dance Carol Arr. Katherine K. Davis

Concert Choir

Rosalind Hall, conductor
Brittany Kofoed, harp

Oh, Come, All Ye Faithful Attr. to John F. Wade

Oh, come, all ye faithful, Joyful and triumphant!
Oh, come ye, oh come ye to Bethlehem.
Come and behold him, Born the King of angels;
Oh, come, let us adore him, Christ the Lord.

Sing, choirs of angels, Sing in exultation;
Sing, all ye citizens of heav'n above!
Glory to God, Glory in the highest;
Oh, come, let us adore him, Christ the Lord.

Yea, Lord, we greet thee, Born this happy morning;

Jesus, to thee be all glory giv'n.

Son of the Father, Now in flesh appearing;

Oh, come, let us adore him, Christ the Lord.

Group Sing

I Saw Three Ships Paul Carey

I Wonder as I Wander Arr. John Jacob Niles

Tomorrow Shall Be My Dancing Day Arr. John Rutter

Women's Chorus

Jean Applonie, conductor

Hark! The Herald Angels Sing Felix Mendelssohn

Hark! The herald angels sing Glory to the new-born King!
Peace on earth and mercy mild, God and sinners reconciled!
Joyful, all ye nations, rise; Join the triumph of the skies;
With th' angelic hosts proclaim Christ is born in Bethlehem!
Hark! the herald angels sing Glory to the newborn King!

Hail the heav'n-bom Prince of Peace! Hail the Son of Righteousness!
Light and life to all He brings, Ris'n nwith healing in His wings.
Mild He lays His glory by, Bom that man no more may die;
Bom to raise the sons of earth, Bom to give them second birth.
Hark!The herald angels sing Glory to the newborn King!

Group Sing

Glory to God in the Highest Claudio Monteverdi

Follow the Light S. Gordon Jessop

Lux aurumque Eric Whitacre

Light, warm and heavy and pure as gold
and the angels sing softly to the new-bom babe.

Brigham Young University Singers

Ronald Staheli, conductor

It Came upon the Midnight Clear Richard S. Willis

It came upon the midnight clear, That glorious song of old,
From angels bending near the earth To touch their harps of gold:
"Peace on the earth, good will to men From heav'n's all-gracious King."
The world in solemn stillness lay To hear the angels sing.

Still thru the cloven skies they come With peaceful wings unfurled,
And still their heav'nly music floats O'er all the weary world.
Above its sad and lowly plains They bend on hov'ring wing,
And ever o'er its babel sounds The blessed angels sing.

For lo! the days are hast'ning on, By prophets seen of old,

When with the ever-circling years Shall come the time foretold,

When the new heav'n and earth shall own The Prince of Peace their King,

And the whole world send back the song Which now the angels sing.

Group Sing

God Rest Ye Merry Gentlemen Arr. Philip Kern

O'er the Hill and O'er the Dale, from Pioe cantiones Arr. Antony Baldwin
Who Is He in Yonder Stall Arr. Robert H. Young

Men's Chorus

Rosalind Hall, conductor

Good Christians All, Rejoice

Group Sing

Ring Out, Ye Crystal Spheres

Combined Choirs

INTERMISSION
Winter, from The Seasons, op. 67
Sheep May Safely Graze

Torches

Arr. Buryl Red

K. Lee Scott

Alexander Glazunov

Johann Sebastian Bach
Arr. Stokowski

Murray Boren

Philharmonic Orchestra

Kory Katseanes, conductor

Angels We Have Heard on High French Carol

Angels we have heard on high Sweetly singing o'er the plains,
And the mountains in reply Echoing their joyous strains.
Gloria in excelsis Deo.

Shepherds, why this jubilee? Why your joyous strains prolong?
What the gladsome tidings be Which inspire your heav'nly song?
Gloria in excelsis Deo.

Come to Bethlehem and see, Him whose birth the angels sing;
Come, adore on bended knee, Christ the Lord, the newborn King.
Gloria in excelsis Deo.

Group Sing

Our God Is a God of Love
Joy to the World
The First Noel

Robert Cundick

Arr. John Rutter

Arr. Dwight Bigler

Combined Choirs and Orchestra

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Joseph Haws, piano

Student of
Marlene Bachelder

Required for

Bachelor of Music Degree

with Emphasis in Performance

1:30 p.m.

4 December 2004

Auditorium

Museum of Art

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 53rd performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Prelude and Fugue in C-sharp Minor, BWV 849
From the Well Tempered Clavier Book 1

Sonata in E-flat Major, op. 31, no. 3
Allegro

Scherzo: Allegretto Vivace
Menuetto: Moderato e Grazioso
Presto confuoco

Papillons, op. 2

Johann Sebastian Bach
(1685-1750)

Ludwig van Beethoven

(1770-1827)

Toccata, op. 1 1

Robert Schumann
(1810-1856)

Sergey Prokofiev

(1891-1953)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Clarinet Choir

Jaren Hinckley, director

3:00 p.m.

4 December 2004

Auditorium

Museum of Art

BYU Clarinet Choir Roster

B-flat Clarinet

Daniel Bailey

Ariel Wootan

Shannon Epps

Rob Bennion
Stephanie Allred

Michael Walsh

Kjirstin Sheard
Devin Dyer

Kaela Fulcher

Karen Reece

Corey Hansen
Amanda Cahoon

James Tippets
Kirsti Burr

E-flat Clarinet

Daniel Bailey

Bass Clarinet

Alan Willburn

Program

BYU Clarinet Polka

Traditional

Entrata from Forest Scenes

Robert Schumann

Arr. Clifford Barnes

(1810-1856)

Three Baroque Dances
Sarabande
Minuet
Polonaise

Joliann Sebastian Bach

Arr. Russell Howland

(1685-1750)

Concertante

Anton Krause

Arr. Clifford Barnes

(1834-1907)

Variations on a Theme of Paganini

Kemieth A. Wilson

Seasonal Sketches

Summer Caprice
Autumn Pastel
Chorale for a Winter Day
Waltz for a Spring Night

Everett Gates

Holiday Suite

hi Dulci Jubilo

Bring a Torch, Jeannette, Isabella

Coventry Carol

Pat-a-pan

Traditional

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 54th performance sponsored by the
BYU School of Music for the 2004-2005 season.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Harp Ensemble

ShruDeLi Ownbey, director
Anamae Anderson, assistant
Maria Phippen, assistant
Kelly Roper, violin
Melissa Bearden,y7wfe

7:30 p.m.
4 December 2004
Madsen Recital Hall
Harris Fine Arts Center

Program

Carol of the Bells and Coventry Carol P. Wilhousky and English Carol

Arr. K. Bershad/S. Hartman

Jingle Bells J. Pierpont

(1822-1893)
Arr. K. Gist
Laua Allen, Malerie Bates, Carolyn Berg, Cathryn Knoles,
Alicia Duncan McQuay, Megan Jones Visser

Still, Still, Still, from Three European Carols Austrian Carol

Arr. K. Gist

Bring a Torch, Jeanette, Isabella French Carol

Arr. K. Bershad/S. Hartman
Sarah Chamberlin, Maggie Hansen, Ashley Hofer, Alissa Smith,
Kate Sonne, Alisha Turtle

O Come, Little Children, from Three European Carols Johann A. P. Schulz

(1747-1800)
Arr. K. Gist

Largo from, Four Seasons, op. 8, no. 4 "Winter" Antonio Vivaldi

(1678-1741)
Arr. D. Burton
Kristen Bylund, Tess Epperson, Marybeth Lathen, Melissa Mitchell,
Joanna Pace, Amy Sonntag

Prelude (Asturias), from Cantos de Espana, op. 232 Isaac Albeniz

Trans. S. McDonald/L. Wood (1860-1909)

Megan Jones Visser

Sonata, op. 127 Alan Hovhaness

Allegro (1911-2000)

Carolyn Berg

Pavane pour une infante defunte Maurice Ravel

Trans. Y. Kondonassis ( 1 875-1 937)

Carolyn Lund

Paraphrase on Greensleeves Anonymous

Arr. C. Salzedo
Alissa Smith

Suite for Haip, op. 83 Benjamin Britten

Overture (1913-1976)

Hymn (St. Denio)

Alicia Duncan McQuay

relude in C/Ave Maria

Johann Sebastian Bach/C. Gounod
(1685-1750)
Arr. S. Curcio
Viddy Harris, harp
Kelly Roper, violin

onata in C Minor
Allegro

)ivertissements pour la Harpe
No. 1 - a la francaise

Malerie Bates

Cathryn Knoles

Johann Ladislaus Dussek

(1760-1812)

Arr. N. Zabaleta

Andre Caplet

(1878-1925)

Traditional French

Arr. S. Curcio

Traditional Scottish

Arr. J. B. Weidensaul

Carrie Cook, Natalie Jones, Cynthia Lew, Andrea Mortensen,

Ashli Sharp, Rebecca Turner

'at-a-pan

'e Banks and Braes, from Songs and Carols for Two

J. Pachelbel and English Carol

Arr. L. Marchildon

K. Wienand

Christmas Canon

)ecember Afternoon

Emily Dougall, Bryn Harrison, Sherry Hoffman, Cathryn Randall

>ain y Werin M. Heulyn

Nos Galan (New Year's Eve)
Codiad yr Ehedydd (The Rising of the Lark)
Gwenynen Gwent

Wrth Fynd Efo Deio 1 Dywyn (Going with Deio to Tywyn)
Carolyn Lund, Mary Jane Rice, Becki Tew Wright, harps
Melissa Bearden, flute

\s Lately We Watched from Three European Carols Austrian Carol

Arr. K. Gist
Amanda Boren, Emilie Burrow, Rachel Crapse, Viddy Harris,
Emily Powell, Laura Richards

Silent Night Franz Xaver Gruber

(1787-1863)
Arr. Serena O'Meara and N.K. Brown
Amanda Boren, Emilie Burrow, Rachel Crapse, Viddy Harris, Carolyn Lund,
Emily Powell, Mary Jane Rice, Laura Richards, Becky Tew Wright

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 56th performance sponsored by the
BYU School of Music for the 2004-2005 season.
performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Mark Campbell, organ

Student of
Douglas E. Bush

Required for

Bachelor of Music Degree

with Emphasis in Performance

7:30 p.m.

4 December 2004

Provo Central Stake Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 54th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Sonata in B-flat Major, op. 65, no. 4
Allegro con brio
Andante religioso
Allegretto
Allegro maestoso e vivace

Nun bitten wir den heili<ien Geist, BuxWV 208

In dir ist Freude, BWV615

Nun bitten wir den heiliuen Geist

Grand Choeur dialogue

Two Organ Chorals

Wachet auf, ruft uns die Stimme, op. 67. no. 4 1
Herzlich tut mich verlangen. op. 67, no. 14

Toccata and Fugue in d (Dorian), BWV 538

Felix Mendelssohn
(1809 1847)

Dietrich Buxtehude

(1637-1707)

Johann Sebastian Bach

(1685-1750)

Dietrich Buxtehude

Eugene Gigout
(1844 1925)

Max Reger
(1873-1916)

Johann Sebastian Bach

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

University Strings
University Orchestra

Seretta Hart, conductor
Becky Roesler, conductor

7:30 p.m.
7 December 2004
de Jong Concert Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 59th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Divertimento, K. 136
Allegro
Andante
Presto

Concerto Grosso, op. 6, no. 3
Larghetto
Andante
Allegro

Wolfgang Amadeus Mozart
(1756-1791)

George Frideric Handel
(1685-1759)

Serenade for String Orchestra in C Major, op. 48 Pyotr Il'yich Tchaikovsky

Elegie " (1840-1893)

Finale

University Strings

INTERMISSION

Hungarian March, from La Damnation de Faust
Claire de lune, from Suite Bergamasque

Finlandia

Arabian Dance, from The Nutcracker
Hoedown, from Rodeo

Farandole, from L 'Arlesienne Suite No. 2

Hector Berlioz
(1803-1869)

Claude Debussy

(1862-1918)

Arr. Arthur Luck

Jean Sibelius
(1865-1957)

Pyotr Il'yich Tchaikovsky

Aaron Copland
(1900-1990)

Georges Bizet
(1838-1875)

University Orchestra

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Percussion Ensemble
Panoramic Steel

Ron Brough, director

7:30 p.m.
7 December 2004
Madsen Recital Hall
Harris Fine Arts Center

Percussion Ensemble

Amanda Meyer
Jeffrey Bartholomew
Jordan Johnsen
Trevor Goss
Chris Lee
Andrew Baer
Kandis Bender
Jared Morris
Celeste Cope
Rob Sowby
Andrew Merrell
Jenne West
Jeff Holt
Daniel Adams

Regan Brough, bass

Panoramic Steel

John Paul Andersen
Matt Nielsen
Alex Harris
Toni Greenhalgh
Andrew Ferguson
James McMurray
Amanda Meyer
Seul-Ki Min
Stephanie Young
Kandis Bender
Celeste Cope
Andrew Forbes
Andrew Tolman
Chris Dupuis

Program

Route' Quadrille

Mario Canonge
Arr. Robert Schietroma

Carol on the Drum

Arr. Don Hannah

Fugata

Astor Piazzolla
Arr. William H. Smith

Portico

Tom Gauger

BYU Percussion Ensemble

The Passage

Andy Narell

The Chosen Place

Tom Miller

Pan Rising

Len "Boogsie" Sharpe

Panoramic Steel

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 58th performance sponsored by the

BYU School of Music for the 2004-2005 season.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

University Chorale

Evening Section

Paul Broomhead, conductor
Vicki McMurray, assistant conductor

Daytime Section

Brent Wells, conductor

Jill Winters, assistant conductor

7:30 p.m.
8 December 2004
de Jong Concert Hall
Harris Fine Arts Center

Program

Hodie Christus Natiis Est Richard Robert Rossi

(b. 1962)
Today Christ is born; today the Savior has appeared;
Today the angels sing, the archangels rejoice;
Today the righteous rejoice, saying: Glory to God in the highest. Alleluia!

Two Zimmerman Psalms

Psalm 100

Heinz Werner Zimmermann
(b. 1930)

Psalm 13

Holly Little, organ
Spencer Peterson, double bass

Songs of the Nativity

The Virgin's Cradle Hymn

Robert H. Young
(b. 1923)

When Christ Was Bom of Mary Free

Songs of Rejoicing!

Ding Dong! Merrily on High

16th Century French Carol
Ait. Glenn Poore

Hosanna

Rene Clausen
(b. 1953)

Noel Ayisyen: A Haitian Noel

Emile Desaours
(b. 1941)

Paul Broomhead, conductor
Vicki McMurray, assistant conductor

A Song of Praise

God Is Gone Up

Larry Blackburn, organ

Gerald Finzi
(1901 1956)

Under His Watchcare

1 Sat Down under His Shadow

He Watching over Israel, from Elijah

Jill Winters, piano

The Lord My Shepherd

Larry Blackburn, organ
Alyssa Christensen, oboe

Edward C. Bairstow

(1874 1946)

Felix Mendelssohn

(1809-1847)

David Ashley White
(b. 1944)

Domine Fili

Domine Fili, from Gloria, RV 589 Antonio Vivaldi

(ca. 1669 1741)
Jill Winters, piano
Carl Pantle, piano
Domine Jesu Christe, from Requiem, K. 626 Wolfgang Amadeus Mozart

(1756 1791)
Carl Pantle, piano
Domine Fili, from Gloria Francis Poulenc

(1899 1964)
Jill Winters, piano
Carl Pantle. piano

A Carol for the King

Ding Dong! Merrily on High

Three Kings of Orient
The Holly and the Ivy

Larry Blackburn, organ

Larry Blackburn, organ
Jill Winters, organ

Jill Winters, piano
Alicia Christensen, flute

Arr. Howard Cable
Arr. John Rutter

Arr. John Rutter

Brent Wells, conductor
Jill Winters, assistant conductor

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

• Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 62nd performance sponsored by the

BYU School of Music for the 2004-2005 season.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Jazz Ensemble

Courtney and the
Guys Combo

Mark Ammons, director

Got Rhythm':

7:30 p.m.
8 December 2004
Madsen Recital Hall
Harris Fine Arts Center

I Got Rhythm

Program

Joe Hansen, trombone
Andrew Merrell, drums

George Gershwin
Am Rob McConnell

KM.

Levi Richins,y7wge/ horn
Jay Butler, piano

Lyle Mays

Give Me the Simple Life

Salsa 'n' Peppers

Conrad Allen, piccolo
Chris Black, saxophone

Arr. Kai Winding

Charles Argersinger

Sun Baby

In a Sentimental Mood

Mama Llama Samba

Magic Flea

Jory Woods, sax
Jay Butler, piano

Rob Bennion, tenor saxophone

Rob Bennion, tenor saxophone
Kyle Miller, trumpet

Blake Wikins, tenor saxophone
Andrew Merrell, drums

Brian Harker

Duke Ellington
Arr. Mike Tomaro

Gordon Goodwin

Sammy Nestico

Saxophone

Jory Woods, lead alto Joe Hansen, lead

Rob Bennion, alto Travis King

Blake Wilkins, tenor Michael Harris

Conrad Allen, bari Paul Hannibal, bass

Jazz Ensemble

Trombone Trumpet

Gary Lind, lead
Kyle Miller
Courtney Hohl
Keith Evans
Levi Richins

Rhythm

Jay Butler, piano
Chris Nuttal, bass
Daniel Smith, guitar
Andrew Merrell, drums

Program to be selected from the following
Bernie's Tune Gerry Mulligan

Well You Needn't

Thelonious Hubbard

Nature Boy

Eden Ahbez

Anthropology

Courtney and the Guys Combo

Courtney Hohl, Brandon Fanner, trumpet

David Kjar, woodwinds

Jared Morris, drums

Chris Nuttal, bass

Zach Van Wagoner, guitar

Jared CoWete, piano

Charlie Parker

Avenue of Dreams
Sleigh Ride

Billy May

Leroy Anderson
Arr. Jonathan Pace

Minuano

Daniel Smith, guitar

Courtney Hohl Jlugel horn

Rob Bennion, tenor saxophone

Pat Metheny/Lyle Mays

The Umpire Strikes Back

Levi Richins, trumpet
Jay Butler, piano

Matt Catingub

The Star-Crossed Lovers Duke Ellington/Billy Strayhor

Jory Woods, alto saxophone

Yo' Mambo

Rob Bennion, tenor saxophone

Kyle Miller, trumpet

Joe Hansen, trombone

iazz Ensemble

Charles Argersinger

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 60st performance sponsored by the
BYU School of Music for the 2004-2005 season.

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Matt Wallace
Composition

Student of
Christian Asplund
Michael Hicks
David Sargent
Murray Boren
Steven Ricks

Required for

Bachelor of Music Composition

9:30 p.m.
8 December 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 61st performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

String Quartet

A Jar in Tennessee

Epiphany

Passacaglia

Sarah Black, violin

Suzanna Turpin, violin

Andrew Snow, viola

Adam Crandell, cello

Ethereal Insinuations

Matt Nielsen, Brian Densley, Jared Morris, Dave Zimmerman, Jeff Holt

percussion

Dialogue

Julia Hobe, oboe

O Remember

Ellinor Bergqvist, Christine Scow, Liz Olmo, Leanna Pink, Andrew Wheelwright,

Ben Castleton, Ben Boster, Daniel Robertson

voice

Woodwind Quintet
Schizophrenia
Pyromania
Trichotillomania
Serenity

Sarah Kerns, flute
Alyssa Christenson, oboe
Bryn Huntington, clarinet

Dan Omer, horn
Darcy Whetten, bassoon

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Raymey Walther
Tenor

Student of
Clayne Robison

Assisted by
Christina Dayton

Required for

Bachelor of Music Degree

with Emphasis in Performance

7:30 p.m.

9 December 2004

Auditorium

Museum of Art

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

• Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 63rd performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Go, Lovely Rose Roger Quilter

Come away, Death (1 877-1953)

Take, O take those lips away
O Mistress mine

Stay, Frederic, stay! from The Pirates of Penzance Sir Arthur Sullivan

(1842-1900)
Allyson Edvalson, soprano

Cinq Melodies Populaires Grecques Maurice Ravel

Chanson de la mariee (1875-1937)

Labas, vers l'eglise
Quel gallant m'est comparable
Chanson des cueilleuses de lentisques
Toutgai!

From Dichterliebe Robert Schumann

Im wunderschonen Monat Mai (1810-1856)

Aus meinen Thranen spriessen
Die Rose, die Lilie, die Taube, die Sonne
Wenn ich in deine Augen seh'
Ich will meine Seele tauchen
Im Rhein, im heiligen Strome
Ich grolle nicht

Puntos Cubanos Hector Campos Parsi

Muerta (1925-1998)

Mi Rancho
Madrugada
Vida Criolla

Si, tra i ceppi, from Berenice George Frideric Handel

(1685-1759)

In un coupe, from La Boheme Giacomo Puccini

(1858-1924)
Hyrum Weibell, baritone

Nessun Dorma, from Turandot Giacomo Puccini

(1858-1924)

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Woodwind Chamber Night

Christian Smith, director

7:30 p.m.
9 December 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

• Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 67th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Divertimento No. 2 in G Major

Moderate

Minuetto

Five Pieces in Trio

Franz Joseph Hadyn
(1732-1809)

Marlene See, oboe

Rachele See, viola

Virginia Huntsman, bassoon

Danielle Jensen, oboe
Bryn Huntington, clarinet
Abby Anderson, bassoon

Sonata in D Minor for Flute, Oboe, and Piano

Amanda Clark, flute

Monica-Sophie Steig, oboe

Kristy Yamaguchi, piano

Six Bagatelles for Wind Quintet
Allegro con spirito
Rubato. Lamentoso
Allegro grazioso
Presto ruvido

Adagio. Mesto (Bela Bartok in memoriam)
Molto vivace, Capriccioso

Sarah Kerns, flute

Alyssa Christenson, oboe

Andrea Davis, clarinet

Darcy Whetten, bassoon

Daniel Omer, horn

Jacques Ibert
(1890-1962)

Jean-Baptiste Loeillet
(1653-1728)

Gyorgy Ligeti
(b. 1923)

Serenade No. 1 1 in E-flat Major, K. 375
Allegro Maestoso
Menuetto I

Adagio
Menuetto II
Allegro

Wolfgang Amadeaus Mozart
(1756-1791)

Julia Hobbs, oboe
Heather Lyman, oboe
Rachel Jones, clarinet
Daniel Bailey, clarinet
Erin Tippets, bassoon
Jennifer Skarda, bassoon
Mary Ann Olsen, hour
Melissa Pratt, horn

performances.byu.edu

BRIGHAM YOUNG UNIVERSITY

College of Fine Arts and Communications
School of Music

presents

Michael Reynolds
Composition

Student of
Michael Hicks

Required for

Bachelor of Music Composition Degree

9:30 p.m.
9 December 2004
Madsen Recital Hall
Harris Fine Arts Center

The Brigham Young University School of Music welcomes you to this
event. We are grateful for your attendance and support. So that everyone
can enjoy this performance, we ask for your attention to several issues:

Please take a moment to turn off your cellular phone,
pager, or any audio alerts. Since tonight's concert is
being recorded, we ask you to be as quiet as possible
during the performance.

Please notice the organization of the program so that
your applause will be offered at appropriate intervals.
Entire works or groupings of pieces will usually be per-
formed without interruption.

• If you must leave during the performance, please wait for
applause to do so.

Thank you for not bringing babies or children too
young to enjoy this concert.

This musical event is the 64th performance sponsored by the
BYU School of Music for the 2004-2005 season.

Program

Reflections for Piano

Monica Scott, piano

\ Attitudes for Contrabass and Recorded Sounds

Trevor Reed, contrabass

Sax Study (Electro-acoustic Work No. 3)

Three Expressionist Poems for Soprano and Recorded Sound

Mein Tanzlied (My Dancing Song) Poem by Else Lasker-Schuler

Liebessterne (Love Stars) Poem by Else Lasker-Schuler

Rondel Poem by Georg Trakl

Elinor Bergqvist, soprano

Suddenly Attacked (Electro-acoustic Work No. 5)

Perspectives for String Quartet

performances.byu.edu

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